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Shloka 55

Prohibitions and Rules of Right Conduct (Ācāra): Theft, Speech, Purity, Residence, and Social Boundaries

इति श्रीपाद्मे महापुराणे स्वर्गखंडे पंचपंचाशत्तमोऽध्यायः

iti śrīpādme mahāpurāṇe svargakhaṃḍe paṃcapaṃcāśattamo'dhyāyaḥ

ಇಂತೆ ಶ್ರೀಪದ್ಮ ಮಹಾಪುರಾಣದ ಸ್ವರ್ಗಖಂಡದ ಐವತ್ತೈದನೆಯ ಅಧ್ಯಾಯವು ಸಮಾಪ್ತಿಯಾಯಿತು.

itithus
iti:
Sambandha (Discourse marker/सम्बन्ध)
TypeIndeclinable
Rootiti (अव्यय)
Formइत्यादि-निपात (quotative/closing particle)
śrīpādmein the Śrī Padma (Purāṇa)
śrīpādme:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootśrīpādma (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/अधिकरण), एकवचन; ग्रन्थ-नाम (Padma Purāṇa)
mahāpurāṇein the great Purāṇa
mahāpurāṇe:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootmahā (प्रातिपदिक) + purāṇa (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/अधिकरण), एकवचन; कर्मधारयः (महच्च तत् पुराणम्)
svargakhaṃḍein the Svarga-khaṇḍa section
svargakhaṃḍe:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootsvarga (प्रातिपदिक) + khaṇḍa (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/अधिकरण), एकवचन; षष्ठी-तत्पुरुषः (स्वर्गस्य खण्डः)
paṃcapaṃcāśattamaḥfifty-fifth
paṃcapaṃcāśattamaḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootpaṃca (संख्या-प्रातिपदिक) + paṃcāśat (संख्या-प्रातिपदिक) + tama (प्रत्यय-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/कर्ता), एकवचन; क्रमवाचक-विशेषण (ordinal)
adhyāyaḥchapter
adhyāyaḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootadhyāya (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/कर्ता), एकवचन

Narrator/Redactor (colophon formula; no in-verse speaker)

Application: Use chapter endings as a pause for reflection, sankalpa renewal, or dedicating merit (puṇya) to Viṣṇu.

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A palm-leaf manuscript lies open on a low wooden desk, with a scribe’s stylus resting beside it. The final line is freshly inked, and a small lamp flickers, suggesting the sacred act of preserving Padma Purana’s Svarga-khaṇḍa.","primary_figures":["scribe/redactor","palm-leaf manuscript","oil lamp"],"setting":"Quiet manuscript room in a temple library (grantha-bhāṇḍāra) with a small Vishnu icon in the background.","lighting_mood":"temple lamp-lit","color_palette":["lamp amber","aged parchment tan","ink black","deep maroon","antique gold"],"tanjore_prompt":"Tanjore painting style: temple library interior with a small Viṣṇu icon framed in gold leaf, palm-leaf manuscript on a desk, scribe seated; ornate borders, embossed gold accents on the manuscript frame, rich maroon and green textiles, devotional stillness.","pahari_prompt":"Pahari miniature style: intimate indoor scene with delicate lines—scribe, manuscript, small lamp; soft shadows, muted earth tones, refined detailing of script and wooden desk; calm scholarly atmosphere.","kerala_mural_prompt":"Kerala mural style: stylized manuscript and lamp with bold outlines; scribe in profile, Viṣṇu emblem behind; warm pigment blocks, decorative bands like temple murals, rhythmic composition.","pichwai_prompt":"Pichwai cloth painting style: manuscript-centered devotional still life framed by lotus borders and floral filigree; a small Viṣṇu symbol above, deep blue cloth background with gold script-like ornamentation."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":null,"pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["page rustle","lamp crackle","soft bell","library silence"]}

Sandhi Resolution Notes: paṃcapaṃcāśattamo'dhyāyaḥ = paṃcapaṃcāśattamaḥ + adhyāyaḥ.

P
Padma Purana
S
Svarga-khaṇḍa

FAQs

It is a colophon marking the formal end of Adhyāya 55, identifying the text (Padma Mahāpurāṇa) and the section (Svarga-khaṇḍa).

No character is speaking; it is an editorial/narratorial closure formula used by scribes and compilers to delimit chapters.

Not directly. Its value is structural and archival: it authenticates the chapter boundary and helps citation, indexing, and manuscript navigation.