Shloka 93
Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
ततश्चाकृष्य पातालं ताभ्यां नीतो नृपात्मजः ।
पाताले ददृशे चोभौ स पन्नगकुमारकौ ॥
tataś cākṛṣya pātālaṃ tābhyāṃ nīto nṛpātmajaḥ | pātāle dadṛśe cobhau sa pannagakumārakau ||
ನಂತರ ಆ ಇಬ್ಬರು ಅವನನ್ನು ಎಳೆದುಕೊಂಡು ಪಾತಾಳಕ್ಕೆ ಇಳಿಸಿ ರಾಜಕುಮಾರನನ್ನು ಅಲ್ಲಿಗೆ ಕರೆದುಕೊಂಡು ಹೋದರು. ಪಾತಾಳದಲ್ಲಿ ಅವನು ಆ ಇಬ್ಬರನ್ನು ಕಂಡನು—ಯುವ ನಾಗರಾಜಕುಮಾರರನ್ನು.
{ "primaryRasa": "adbhuta", "secondaryRasa": "bhayanaka", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
Guidance by non-human beings suggests that access to hidden knowledge/realms often requires trustworthy intermediaries; it also underscores hospitality and alliance across worlds.
Ākhyāna (narrative). If embedded in a royal lineage story, it can support vaṃśānucarita indirectly, but the verse itself is episodic.
Being ‘drawn down’ can represent inward descent into subconscious layers; Nāga youths function as guardians of subterranean (hidden) wisdom and vitality.