Adhyaya 12 — The Son Describes the Narakas: Mahāraurava, Tamas, Nikṛntana, Apratiṣṭha, Asipatravana, and Taptakumbha
तत्तापतप्ता सर्वाशा प्रोद्यदिन्दुसमप्रभा ।
विभात्यतिमहारौद्रा दर्शनस्पर्शनादिषु ॥
tattāpataptā sarvāśā prodyad-indu-samaprabhā /
vibhāty ati-mahā-raudrā darśana-sparśanādiṣu
ಆ ಉಷ್ಣತೆಯಿಂದ ಎಲ್ಲ ದಿಕ್ಕುಗಳಲ್ಲಿ ದಗ್ಧವಾದ ಅದು ಉದಯಿಸುವ ಚಂದ್ರನ ಕಾಂತಿಯಂತೆ ಪ್ರಕಾಶಿಸುತ್ತದೆ; ಆದರೆ ದರ್ಶನ, ಸ್ಪರ್ಶ ಮೊದಲಾದವುಗಳಲ್ಲಿ ಅತ್ಯಂತ ಭೀಕರವಾಗಿದೆ.
{ "primaryRasa": "bhayanaka", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Pleasant appearance can conceal harmful reality; moral discernment is required, as karmic suffering may be alluring in form yet destructive in experience.
Didactic-ethical extension attached to cosmological mapping; not Sarga/Pratisarga proper, but a moralized cosmography used to teach Dharma.
The ‘moonlike’ sheen suggests the deceptive coolness of ignorance: what seems soothing to the deluded mind becomes torment upon contact—an allegory for attachment.