Agni Purana — Yoga & Brahma-vidya, Shloka 21
Adhyāya 375 — समाधिः
Samādhi
ऊर्ध्वमेकः स्थितस्तेषां यो भित्त्वा सूर्यमण्डलं ब्रह्मलोकमतिक्रम्य तेन याति पराङ्गतिं
ūrdhvamekaḥ sthitasteṣāṃ yo bhittvā sūryamaṇḍalaṃ brahmalokamatikramya tena yāti parāṅgatiṃ
ಆ ಮಾರ್ಗಗಳಲ್ಲಿ ಒಂದು ಊರ್ಧ್ವಗತಿಯ ಮಾರ್ಗವಾಗಿದೆ. ಯಾರು ಸೂರ್ಯಮಂಡಲವನ್ನು ಭೇದಿಸಿ ಬ್ರಹ್ಮಲೋಕವನ್ನು ಮೀರಿಹೋಗುತ್ತಾನೋ, ಅವನು ಆ ಮಾರ್ಗದಿಂದ ಪರಮಾತೀತ ಗತಿಯನ್ನು ಪಡೆಯುತ್ತಾನೆ.
Lord Agni (teaching sage Vasiṣṭha in the Agni Purana’s didactic dialogue frame)
Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Philosophy","practical_application":"Map the ‘upward path’ (urdhva-gati) in contemplative practice and death-ritual understanding: transcend solar sphere and even Brahmaloka as a model for para-gati (final liberation).","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Ūrdhva-gati: piercing the solar orb and transcending Brahmaloka to the supreme goal","lookup_keywords":["urdhva-gati","surya-mandala-bheda","brahmaloka-atikrama","para-gati","moksha-marga"],"quick_summary":"One pathway is described as the upward course: by piercing the solar orb and passing beyond Brahmaloka, one reaches the transcendent goal. It frames liberation as surpassing even the highest conditioned heavens."}
Alamkara Type: Utpreksha (imaginative ascent)
Concept: Liberation is not merely reaching high lokas; it is transcending them, moving beyond Brahmaloka to the supreme state.
Application: Orient sadhana toward non-returning realization (not heaven-seeking): cultivate detachment from loka-phala, steady meditation, and knowledge that surpasses subtle merit.
Khanda Section: Moksha-dharma / Yoga-gati (Liberation pathways and post-mortem spiritual ascent)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: Kingdom
Visual Art Cues: {"scene_description":"A subtle body or luminous traveler rising upward, piercing a radiant solar disc, passing a vast Brahmaloka realm, and moving into an unbounded, formless radiance signifying para-gati.","kerala_mural_prompt":"Kerala mural, vertical composition: sun-orb as ornate mandala, a luminous figure ascending through it, Brahmaloka depicted as lotus-palace above, then dissolving into pure light; bold outlines, sacred geometry.","tanjore_prompt":"Tanjore painting, large golden sun-mandala with embossed gold, ascending yogic light-stream, Brahmaloka as jeweled lotus-throne realm, top portion as blank radiant field, rich colors and ornamentation.","mysore_prompt":"Mysore painting, cosmology chart-like scene: labeled layers (surya-mandala, brahmaloka, para-gati), fine linework, soft gradients, didactic clarity with traditional aesthetics.","mughal_miniature_prompt":"Mughal miniature, celestial ascent with detailed sun disc, layered heavens with palatial clouds, a small luminous figure traveling upward, delicate brushwork and atmospheric perspective."}
Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"epic"}
Sandhi Resolution Notes: ऊर्ध्वमेकः = ऊर्ध्वम् एकः; स्थितस्तेषां = स्थितः तेषाम्; ब्रह्मलोकमतिक्रम्य = ब्रह्म-लोकम् अतिक्रम्य.
Related Themes: Agni Purana: Moksha-dharma sections on gati and loka hierarchy; Agni Purana: Jyotisha/Cosmology passages on solar sphere and rays; Agni Purana: rites and sadhana discussions distinguishing svarga from moksha
FAQs
It conveys a technical cosmological-yogic doctrine of “ūrdhva-gati”: the upward path of ascent that breaks through the solar sphere and even transcends Brahmaloka, indicating a liberation-oriented trajectory rather than a meritorious heavenly rebirth.
It integrates metaphysics and cosmography—mapping destinations (lokas) and graded spiritual routes—showing how the Agni Purana catalogues not only rituals and dharma but also subtle doctrines of cosmic structure and liberation paths.
The verse highlights that even exalted realms like Brahmaloka remain within conditioned existence; the highest aim is to go beyond them via the upward, transcendent course leading to the supreme goal (parāṅgati).