Previous Verse
Next Verse

Agni Purana — Raja-dharma, Shloka 9

Rāja-dharma (राजधर्माः) — Protection of the Heir, Discipline, Counsel, and the Seven Limbs of the State

जयेद्वाह्यानरीन् पश्चाद्वाह्याश् च त्रिविधारयः गुरवस्ते यथा पूर्वं कुल्यानन्तरकृत्रिमाः

jayedvāhyānarīn paścādvāhyāś ca trividhārayaḥ guravaste yathā pūrvaṃ kulyānantarakṛtrimāḥ

ಮೊದಲು ಬಾಹ್ಯ ಶತ್ರುಗಳನ್ನು ಜಯಿಸಬೇಕು; ನಂತರ ಮೂರು ವಿಧದ ಕಂದಕಗಳ ಮೂಲಕ ಬಾಹ್ಯ ರಕ್ಷಣಾ ರೇಖೆಗಳನ್ನು ಭದ್ರಗೊಳಿಸಬೇಕು. ಅವುಗಳ ಅಗಲ‑ಆಳಗಳು ಪೂರ್ವೋಕ್ತದಂತೆ ಇರಲಿ; ಕಂದಕಗಳನ್ನು ಕ್ರಮವಾಗಿ ಸಹಜವಾದವು, ನಂತರ ಕೃತಕವಾಗಿ (ತೋಡಿ ಮಾಡಿದವು) ಅಳವಡಿಸಬೇಕು.

जयेत्should conquer
जयेत्:
Kriya (क्रिया)
TypeVerb
Rootजि (धातु)
Formविधिलिङ्, परस्मैपद, प्रथमपुरुष, एकवचन; Optative, 3rd person, Singular
वाह्यान्external/outer
वाह्यान्:
Karma (कर्म)
TypeAdjective
Rootवाह्य (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; Masculine, Accusative, Plural
अरिन्enemies
अरिन्:
Karma (कर्म)
TypeNoun
Rootअरि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; Masculine, Accusative, Plural
पश्चात्afterwards
पश्चात्:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootपश्चात् (अव्यय)
Formकाल/क्रमवाचक अव्यय (adverb: afterwards)
वाह्याःexternal (ones)
वाह्याः:
Karta (कर्ता)
TypeAdjective
Rootवाह्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
त्रिविधाःthreefold
त्रिविधाः:
Karta (कर्ता)
TypeAdjective
Rootत्रि + विध (प्रातिपदिक)
Formद्विगु-समास (‘त्रयः विधाः’), पुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
अरयःenemies
अरयः:
Karta (कर्ता)
TypeNoun
Rootअरि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
गुरवःelders/teachers
गुरवः:
Karta (कर्ता)
TypeNoun
Rootगुरु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
तेthey/those
ते:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Pronoun, Nominative, Plural
यथाas
यथा:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootयथा (अव्यय)
Formउपमान/प्रकारवाचक अव्यय (adverb/conjunction: as/according to)
पूर्वम्previously
पूर्वम्:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootपूर्व (प्रातिपदिक/अव्ययवत्)
Formक्रमवाचक अव्यय (adverb: formerly/previously)
कुल्यान्(those) of the same clan/lineage
कुल्यान्:
Karta (कर्ता)
TypeNoun
Rootकुल्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural
अनन्तरकृत्रिमाःimmediate and artificial (types)
अनन्तरकृत्रिमाः:
Karta (कर्ता)
TypeAdjective
Rootअनन्तर + कृत्रिम (प्रातिपदिक)
Formद्वन्द्व-समास (इतरेतर: ‘अनन्तराश्च कृत्रिमाश्च’), पुंलिङ्ग, प्रथमा, बहुवचन; Masculine, Nominative, Plural

Lord Agni (in instruction to the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Arthashastra","secondary_vidya":"Vastu","practical_application":"Fortification planning: after neutralizing external threats, establish layered defenses using specified moat types and dimensions, including excavated/artificial ditches.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Trividha-parikha (threefold moats) for outer defense","lookup_keywords":["durga-raksha","parikha","trividha","bahya-ari","kṛtrima-kulyā"],"quick_summary":"Once external enemies are subdued, outer defenses should be secured by arranging three kinds of moats/ditches in sequence, with breadth and depth as previously prescribed, including artificial excavated ones."}

Concept: Pragmatic sequencing: victory over threats first, then institutionalize defenses to prevent recurrence.

Application: Use a defense-in-depth plan: multiple barriers, standardized measurements, and planned placement of artificial works.

Khanda Section: Rajadharma (Governance, forts, and statecraft)

Primary Rasa: Veera

Secondary Rasa: Adbhuta

Type: Kingdom

Visual Art Cues: {"scene_description":"A fortified city with concentric outer defenses: three distinct moats/ditches shown in sequence, engineers measuring depth and breadth, soldiers patrolling ramparts after victory over invaders.","kerala_mural_prompt":"Kerala mural, panoramic fort with layered moats, stylized water and earth bands, engineers with measuring rods, guards on walls, bold outlines and flat color fields","tanjore_prompt":"Tanjore style, gleaming fort walls with gold accents, three moat rings rendered as decorative bands, king overseeing engineers, ornate borders and rich reds/greens","mysore_prompt":"Mysore painting, technical diagram-like scene: cross-section of fort with three moats labeled by attendants, surveyors measuring, clean lines and soft coloration","mughal_miniature_prompt":"Mughal miniature, realistic fort landscape with workers excavating ditches, water-filled moat, soldiers in formation, fine architectural detail and perspective"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: जयेद्वाह्यानरीन् = जयेत् + वाह्यान् + अरिन् (एत्+व→एद्व; पदसन्धि); पश्चाद्वाह्याः = पश्चात् + वाह्याः; गुरवस्ते = गुरवः + ते; त्रिविधारयः = त्रिविधाः + अरयः; कुल्यानन्तरकृत्रिमाः = कुल्यान् + अनन्तरकृत्रिमाः.

Related Themes: Agni Purana Rajadharma passages giving earlier moat dimensions (immediately preceding fortification details); Agni Purana sections on durga and danda (near 224.11-224.12)

A
Agni Purana
A
arayaḥ (defensive lines)
K
kulyāḥ (moats/ditches)

FAQs

It teaches fortification procedure: after subduing external threats, the ruler should establish a threefold system of outer defensive works—especially moats/ditches (kulyāḥ), including excavated (kṛtrimāḥ) trenches—laid out in ordered sequence and with dimensions defined earlier.

Beyond mythology, it preserves practical rajadharma and military engineering: layered perimeter defense, classification of moats, and standards of construction—showing the Agni Purana’s coverage of governance and strategic infrastructure.

In rajadharma, protecting subjects is a primary duty; implementing orderly defenses supports stability and non-chaos (dharma), reducing harm from invasion and enabling the king to uphold righteous rule.