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Agni Purana — Mantra-shastra, Shloka 38

वागीश्वरीपूजा

The Worship of Vāgīśvarī

प्राग्वच्च पञ्च ब्रह्माणि बुद्ध्याधारमतो वदे शतभागे तिथिभागे पद्मं लिङ्गाष्टकं दिशि

prāgvacca pañca brahmāṇi buddhyādhāramato vade śatabhāge tithibhāge padmaṃ liṅgāṣṭakaṃ diśi

ಹಿಂದಿನಂತೆ ಐದು ಬ್ರಹ್ಮ (ಬ್ರಹ್ಮಮಂತ್ರಗಳು) ವಿನ್ಯಾಸಗೊಳಿಸಬೇಕು; ಆದ್ದರಿಂದ ಧ್ಯಾನಕ್ಕಾಗಿ ಬುದ್ಧ್ಯಾಧಾರವನ್ನು ನಾನು ಹೇಳುತ್ತೇನೆ. ಶತಭಾಗ ವಿಭಾಗದಲ್ಲಿಯೂ ತಿಥಿಭಾಗ ವಿಭಾಗದಲ್ಲಿಯೂ ಪದ್ಮಮಂಡಲವನ್ನು ಅಳವಡಿಸಿ, ದಿಕ್ಕುಗಳಲ್ಲಿ ಲಿಂಗಾಷ್ಟಕವನ್ನು ಸ್ಥಾಪಿಸಬೇಕು.

prākvatas previously
prākvat:
Sambandha (सम्बन्ध/Adverbial)
TypeIndeclinable
Rootprākvat (अव्यय)
Formअव्यय; तुल्यार्थक (as before/like earlier)
caand
ca:
Sambandha (सम्बन्ध/Conjunction)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चय (and)
pañcafive
pañca:
Viśeṣaṇa (विशेषण/Numerical qualifier)
TypeIndeclinable
Rootpañca (अव्यय/संख्या-शब्द)
Formअव्यय; संख्या (five)
brahmāṇiBrahma-forms / brahmans
brahmāṇi:
Karma (कर्म/Object)
TypeNoun
Rootbrahman (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), प्रथमा/द्वितीया-विभक्ति (Nom./Acc. 1st/2nd), बहुवचन (Plural)
buddhi-ādhāramthe support/base of intellect
buddhi-ādhāram:
Karma (कर्म/Object)
TypeNoun
Rootbuddhi + ādhāra (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular)
ataḥtherefore
ataḥ:
Hetu (हेतु/Cause)
TypeIndeclinable
Rootataḥ (अव्यय)
Formअव्यय; हेत्वर्थक (therefore/from that)
vadeI say/declare
vade:
Kriyā (क्रिया/Verb)
TypeVerb
Rootvad (धातु)
Formलट् (Present), परस्मैपद, उत्तमपुरुष (1st person), एकवचन (Singular)
śata-bhāgein a hundredth part
śata-bhāge:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootśata + bhāga (प्रातिपदिक)
Formपुंलिङ्ग (m.), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular)
tithi-bhāgein the tithi-portion (lunar-day division)
tithi-bhāge:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Roottithi + bhāga (प्रातिपदिक)
Formपुंलिङ्ग (m.), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular)
padmama lotus
padmam:
Karma (कर्म/Object)
TypeNoun
Rootpadma (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), प्रथमा/द्वितीया-विभक्ति (Nom./Acc. 1st/2nd), एकवचन (Singular)
liṅga-aṣṭakaman octad of liṅgas
liṅga-aṣṭakam:
Karma (कर्म/Object)
TypeNoun
Rootliṅga + aṣṭaka (प्रातिपदिक)
Formनपुंसकलिङ्ग (n.), प्रथमा/द्वितीया-विभक्ति (Nom./Acc. 1st/2nd), एकवचन (Singular)
diśiin a direction
diśi:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootdiś (प्रातिपदिक)
Formस्त्रीलिङ्ग (f.), सप्तमी-विभक्ति (Locative/7th), एकवचन (Singular)

Lord Agni (narrating to Sage Vasiṣṭha, as per the common Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Shilpa","practical_application":"Mandala/linga installation protocol: placing pañca-brahma mantras, defining dhyāna-ādhāra, and positioning eight liṅgas directionally within a measured lotus diagram.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Pañca-brahma vinyāsa and liṅga-aṣṭaka dik-sthāpana in padma-maṇḍala","lookup_keywords":["pañca-brahma","ādhāra","padma-maṇḍala","liṅga-aṣṭaka","tithi-bhāga"],"quick_summary":"Establish the pañca-brahma mantra foundation, construct a precisely divided lotus mandala (hundred-part/tithi-based divisions), and place eight liṅgas in the directions as the meditative and ritual support."}

Concept: Meditation (dhyāna) requires an ādhāra: mantra (pañca-brahma) + measured sacred geometry (padma-maṇḍala) + directional embodiment (liṅga-aṣṭaka).

Application: For consecration and advanced pūjā, integrate mantra-nyāsa with exact spatial division to stabilize visualization and ritual efficacy.

Khanda Section: Puja-vidhi / Linga-Puja and Mandala-Vidhi (Iconography & Ritual Diagram Instructions)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A lotus mandala divided into fine measured parts; pañca-brahma mantras inscribed/placed as the base; eight liṅgas positioned in the eight directions around the center, forming a meditative support diagram.","kerala_mural_prompt":"Kerala mural, large stylized padma-maṇḍala with fine grid divisions, mantra syllables around, eight small liṅgas at cardinal and intercardinal points, priest indicating ādhāra for dhyāna, ornate borders","tanjore_prompt":"Tanjore painting, central lotus mandala with gold-leaf radiance, eight liṅgas around, pañca-brahma inscriptions in decorative cartouches, temple sanctum ambiance, rich jewel tones","mysore_prompt":"Mysore painting, diagrammatic clarity: hundred-part division lines, tithi markers, labeled directions, eight liṅgas placed precisely, instructional aesthetic with elegant colors","mughal_miniature_prompt":"Mughal miniature, top-down view of a ritual diagram on a cloth, calligraphic mantra labels, eight liṅgas as small black stone forms, attendants holding measuring cords, meticulous detail"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: prāgvacca = prākvat ca; buddhyādhāramato = buddhi-ādhāram ataḥ.

Related Themes: Agni Purana earlier mention of pañca-brahma and ādhāra ("prāgvat") within the same pūjā/maṇḍala sequence

P
Pañcabrahma (fivefold Brahmā-mantras / pañcabrahma set)
P
Padma-maṇḍala (lotus diagram)
L
Liṅga-aṣṭaka (eight liṅgas)
D
Diś (directions)
T
Tithi (lunar day)

FAQs

It gives mandala-vidhi: how to construct a lotus-diagram (padma-maṇḍala) using precise divisions (hundred-part and tithi-based measures) and how to position the liṅga-aṣṭaka (eight liṅgas) in the directional quarters as part of Śaiva worship.

It preserves practical temple-ritual technology—diagrammatic geometry (maṇḍala), mantra-sets (pañcabrahma), calendrical ritual timing (tithi), and iconographic placement rules—showing the Agni Purāṇa’s role as a compact manual of applied religious sciences.

Correct directional and diagrammatic placement is treated as aligning worship with cosmic order (dik and kāla), making the liṅga-pūjā ‘properly installed’ in meditation and ritual, thereby enhancing purity, concentration, and the merit (puṇya) of the observance.