Rudra’s Wrath at Daksha’s Sacrifice and the Iconography of Kālarūpa through the Zodiac
व्रीहिप्रदीपिककरा मनावारूढा च कन्यका चरते स्त्रीरतिस्थाने वसते नड्वलेषु च
vrīhipradīpikakarā manāvārūḍhā ca kanyakā carate strīratisthāne vasate naḍvaleṣu ca
ក្មេងស្រីម្នាក់—កាន់ចង្កៀងអង្ករនៅក្នុងដៃ ហើយជិះលើ (អ្វីមួយហៅថា) មនា (manā)—ដើរទៅមក; នាងស្នាក់នៅក្នុងទីកន្លែងនៃការលេងស្នេហារបស់ស្ត្រី ហើយក៏នៅក្នុងព្រៃដើមកន្ទ្រាំង/ព្រៃកន្ទ្រាំង (reed-beds) ផងដែរ។
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In tīrtha sections, such motifs often function as cautionary or identificatory markers: certain zones are characterized by secrecy and sensuality (rati-sthāna, reed-beds), reminding practitioners to maintain discernment and self-restraint while navigating the landscape.
This is best treated as kṣetra-varṇana / tīrtha-māhātmya descriptive material rather than one of the five lakṣaṇas; it resembles local legend-encoding within pilgrimage geography.
A lamp (pradīpikā) in erotic/hidden locales can symbolize the tension between illumination (awareness) and concealment (reed-beds, secret trysts), a common purāṇic way of marking morally ambiguous or liminal spaces within a sacred region.