Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
मञ्जरीभिर्विराजन्ते नदीकूलेषु वेतसाः वक्तुकामा इवाङ्गुल्या को ऽस्माकं सदृशो नगः
mañjarībhirvirājante nadīkūleṣu vetasāḥ vaktukāmā ivāṅgulyā ko 'smākaṃ sadṛśo nagaḥ
នៅតាមច្រាំងទន្លេ ដើមវេតសា (ដើមស្រដៀងវីឡូ) ភ្លឺរលោងដោយចង្កោមផ្កា។ ដូចជាចង់និយាយ ដូចម្រាមដៃលើកឡើង ហាក់បីដូចនិយាយថា៖ «ភ្នំមួយណាស្មើនឹងយើង?»
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The verse encourages a contemplative gaze: the natural world ‘speaks’ to the attentive mind. Reverence for landscape—especially riverbanks—supports the Purāṇic ethic of honoring places that sustain life and spiritual practice.
This is descriptive ornamentation rather than sarga/pratisarga/vaṃśa content. In Purāṇic composition it commonly accompanies tīrtha-māhātmya or narrative transitions, preparing the audience for sanctity through aesthetic elevation.
The catkins are likened to fingers raised to make a point—suggesting nature’s silent instruction. The ‘which mountain equals us?’ is playful inversion: humble riverbank trees adopt the grandeur of mountains, implying that sanctity is not only in the vast but also in the near and living.