जपेच्च त्र्यक्षरं मंत्र षण्मुखं च यदृच्छया । मंत्रराजेति यः पूर्वं तवाख्यातो मया प्रिये
japecca tryakṣaraṃ maṃtra ṣaṇmukhaṃ ca yadṛcchayā | maṃtrarājeti yaḥ pūrvaṃ tavākhyāto mayā priye
ហើយគួរច្រៀងជបៈមន្តត្រីអក្សរ និងមន្តឆណ្មុខ (Ṣaṇmukha) តាមសមត្ថភាព។ មន្តដែលខ្ញុំបានប្រាប់អ្នកមុននេះ ស្រីស្នេហ៍អើយ ថាជា «រាជាមន្ត»—
Unknown (speaker addresses ‘priye’; likely a deity/sage instructing a close interlocutor, but not explicit in snippet)
Regular japa—especially of revered seed-mantras and Skanda’s mantra—is upheld as a practical discipline adaptable to one’s capacity.
Prabhāsa Kṣetra, where mantra-japa is integrated into the pilgrimage rite sequence.
Japa of a three-syllabled mantra, japa connected with Ṣaṇmukha (Skanda), and remembrance of the previously taught Mantrarāja.