मथुराकीर्तनेनापि श्रवणाद्द्वारकापुरः । अयोध्यादर्शनेनापि त्रिशुद्धं च पदं व्रजेत्
mathurākīrtanenāpi śravaṇāddvārakāpuraḥ | ayodhyādarśanenāpi triśuddhaṃ ca padaṃ vrajet
ដោយការសរសើរមធុរា ដោយស្តាប់កិត្តិយសទីក្រុងទ្វារកា និងដោយឃើញអយោធ្យា—មនុស្សនោះបានឈានដល់ស្ថាន/លំនៅដ្ឋានដែលបានបរិសុទ្ធបីដង។
Unknown (within Dvārakā Māhātmya narration; likely a Purāṇic narrator addressing a listener)
Tirtha: Mathurā / Dvārakā / Ayodhyā (tri-kṣetra)
Type: kshetra
Scene: A devotee performs three acts in sequence: singing Mathurā’s praise by the Yamunā, listening to a reciter narrate Dvārakā’s glory by the sea, and finally beholding Ayodhyā’s sacred skyline at Sarayū; three luminous bands (speech, mind, sight) merge into a single radiant ‘pada’.
Devotion through hearing, praising, and sacred sight (śravaṇa–kīrtana–darśana) purifies and elevates the seeker.
Mathurā, Dvārakā, and Ayodhyā are all praised through distinct devotional modes.
Kīrtana (praise), śravaṇa (listening), and darśana (pilgrimage sight) are recommended as spiritually efficacious acts.