चिराय संज्ञां संप्राप्य विलेपुश्च सुदुःखिताः । हा नाथ कांत हा कृष्ण हा व्रजेश मनोहर
cirāya saṃjñāṃ saṃprāpya vilepuśca suduḥkhitāḥ | hā nātha kāṃta hā kṛṣṇa hā vrajeśa manohara
ក្រោយយូរ ទើបបានស្មារតីឡើងវិញ ពួកនាងទាំងនោះក៏យំដោយទុក្ខធំ៖ «អា ព្រះអម្ចាស់! អា អ្នកស្រឡាញ់! អា ក្រឹષ્ણ! អា ព្រះអម្ចាស់វ្រាជា អ្នកគួរឱ្យចិត្តរីករាយ!»
Prahlāda (narrator, quoting the Vraja women)
Tirtha: Dvārakā (contextual) / Vraja (evoked)
Type: kshetra
Scene: Gopīs regain consciousness after swooning; tears flow as they cry out multiple epithets of Krishna—Nātha, Kānta, Kṛṣṇa, Vrajeśa—against a subdued pastoral backdrop that feels emptied by his absence.
Calling upon the Lord with heartfelt names is itself prayer; grief becomes a direct, intimate form of devotion.
Dvārakā is the setting of encounter, while Vraja is invoked devotionally through the title “Vrajeśa.”
None; the verse centers on nāma-ucchāraṇa (calling the divine names) arising from devotion.