Shloka 21
The Greatness of Śukla Tīrtha: Bathing, Fasting, Charity, and Śiva Worship
स्नानं दानं महापुण्यं मार्कंड ऋषिसत्तम । शुक्लतीर्थात्परं तीर्थं न भूतं न भविष्यति
snānaṃ dānaṃ mahāpuṇyaṃ mārkaṃḍa ṛṣisattama | śuklatīrthātparaṃ tīrthaṃ na bhūtaṃ na bhaviṣyati
ឱ មារកណ្ឌេ ឥសីដ៏ប្រសើរ! ការងូតទឹកបរិសុទ្ធ និងការធ្វើទាន ជាមហាបុណ្យ។ មិនមានទីរថណាមួយធ្លាប់មាន ឬនឹងមាន ដែលលើស សុក្លា-ទីរថ ទេ។
Unspecified narrator/speaker (addressing Sage Mārkaṇḍa within the Svargakhaṇḍa context)
Concept: Snāna (ritual bathing) and dāna (charity) at a supremely sanctified place yield mahāpuṇya; sacred action becomes maximally fruitful when aligned with a potent tīrtha and sincere intent.
Application: Combine purification with generosity: whenever you seek a ‘fresh start,’ pair self-discipline (snāna/clean living) with giving (time, food, money) to anchor transformation.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: tirtha
Visual Art Cues: {"scene_description":"Sage Mārkaṇḍa stands on a gleaming ghāṭa, right hand raised in instruction, as pilgrims bathe and offer gifts—cloth, grains, and lamps—to the needy and to a small Viṣṇu shrine. The waters of Śukla-tīrtha shine with an otherworldly whiteness, and a subtle celestial audience hovers above, affirming the ford’s unmatched glory.","primary_figures":["Sage Mārkaṇḍa","Pilgrims (men and women devotees)","Recipients of charity (brāhmaṇas/poor)","Viṣṇu (as shrine icon or subtle presence)"],"setting":"Śukla-tīrtha ghāṭa with steps, offering platforms, a tulā-dāna-like charity corner (symbolic), and a small temple pavilion; distant vimānas faintly visible in the sky.","lighting_mood":"divine radiance","color_palette":["radiant white","antique gold","indigo","saffron","jade green"],"tanjore_prompt":"Tanjore painting style: Mārkaṇḍa ṛṣi teaching on a luminous ghāṭa; devotees performing snāna and dāna before a Viṣṇu shrine; heavy gold leaf on halos, shrine pillars, and water highlights; rich saffron and emerald garments; ornate borders with lotus and conch; gem-studded ornaments on the shrine iconography.","pahari_prompt":"Pahari miniature style: serene riverside instruction scene—Mārkaṇḍa with refined features, gentle hand gesture; pilgrims bathing and distributing alms; cool indigo shadows and bright white water; delicate trees and distant hills; subtle celestial figures in pale washes above.","kerala_mural_prompt":"Kerala mural style: bold outlined Mārkaṇḍa centered, with narrative panels of snāna and dāna on either side; saturated reds/yellows/greens; stylized Viṣṇu shrine with traditional mural iconography; water rendered as a bright white band signifying ‘śukla’.","pichwai_prompt":"Pichwai cloth painting style: symmetrical ghāṭa composition with central Viṣṇu shrine and luminous water-oval; Mārkaṇḍa as a teaching figure; devotees offering dāna arranged like festival attendants; intricate floral borders, lotuses, peacocks; deep indigo ground with gold and white highlights emphasizing unsurpassed sanctity."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["flowing water","charity chants (svasti)","temple bells","conch shell","soft crowd murmur"]}
Sandhi Resolution Notes: शुक्लतीर्थात्परम् = शुक्लतीर्थात् + परम् (त् + प → त्प्).
FAQs
It presents a hierarchy of sacred places and asserts Śukla-tīrtha as unsurpassed—no tīrtha in the past or future is said to exceed it—thereby encouraging focused pilgrimage and devotion to a specific sacred geography.
It explicitly praises snāna (ritual bathing) and dāna (charity) as mahāpuṇya (great merit), framing tīrtha-practice as both personal purification and ethical generosity.
The verse implies that spiritual practice should combine inner-intent and outward conduct: perform purifying disciplines (snāna) alongside compassionate giving (dāna), and seek places and practices regarded as especially elevating within the tradition.