Shloka 55
The Greatness of the Ancestors: Ekoddiṣṭa Śrāddha, Āśauca Rules, and Sapiṇḍīkaraṇa
चक्रे समाहितः श्राद्धमुपयुज्याथ तां पुनः । द्वौ दैवे भ्रातरो कृत्वा पित्र्ये त्रींश्चापरान्क्रमात्
cakre samāhitaḥ śrāddhamupayujyātha tāṃ punaḥ | dvau daive bhrātaro kṛtvā pitrye trīṃścāparānkramāt
ដោយចិត្តស្ងប់សមាធិ គាត់បានធ្វើពិធី ស្រាទ្ធ ហើយបន្ទាប់មកបានយកមកប្រើតាមវិធីម្តងទៀត។ គាត់បានតែងតាំងបងប្អូនពីរនាក់សម្រាប់ពិធីដល់ទេវតា និងតាមលំដាប់បានតែងតាំងអ្នកផ្សេងទៀតចំនួនសាមសិបបីសម្រាប់ពិធីដល់បិត្រិ។
Unspecified narrator (context not provided in the input excerpt)
Concept: Dharma is upheld through precise ritual distribution—honoring devas and pitṛs in their proper shares sustains cosmic and familial continuity.
Application: Maintain gratitude to lineage and teachers; perform remembrance/charity on appropriate days with clarity and fairness; keep boundaries and roles in family duties.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A serene ritual pavilion is arranged with kusa grass, water vessels, and neatly placed piṇḍas. A composed officiant assigns offerings with measured gestures—two seats for deva-rite and a larger, orderly row for pitṛ-rite—suggesting the unseen presence of luminous devas and gentle ancestral silhouettes receiving blessings.","primary_figures":["Ritual officiant (ṛtvik/householder)","Subtle forms of Pitṛs","Subtle forms of Devas"],"setting":"Consecrated yajña-śālā with altar, kusa mats, ladles, water pots, and offering plates; faint cosmic backdrop hinting at creation-era sanctity.","lighting_mood":"temple lamp-lit","color_palette":["saffron gold","smoke gray","sandalwood beige","deep maroon","leaf green"],"tanjore_prompt":"Tanjore painting style: a śrāddha pavilion with the officiant seated on a decorated wooden platform, gold leaf halos for subtle devas and pitṛs, rich maroon drapery, emerald borders, gem-studded vessels, intricate floral motifs around piṇḍa plates, traditional South Indian ornamentation and symmetrical composition.","pahari_prompt":"Pahari miniature style: delicate śrāddha scene under a canopy with fine linework, soft earth tones, a calm riverbank hinted in the distance, refined faces, minimalistic ritual objects rendered with precision, pale sky wash and lyrical stillness.","kerala_mural_prompt":"Kerala mural style: bold black outlines, warm ochres and reds, the officiant in profile with stylized large eyes, ritual vessels and kusa rendered as patterned bands, devas and pitṛs as icon-like presences with simple halos, temple-wall aesthetic.","pichwai_prompt":"Pichwai cloth painting style: ornate border of lotus and tulasi motifs framing a ritual courtyard; central offering arrangement with symmetrical plates; peacocks in corners; deep indigo background with gold detailing, devotional ambience suggesting Vishnu as unseen yajña-bhoktā."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["soft temple bells","low conch drone","crackling ghee lamp","gentle silence between mantras"]}
Sandhi Resolution Notes: श्राद्धमुपयुज्याथ = श्राद्धम् + उपयुज्य + अथ; त्रींश्चापरान्क्रमात् = त्रीन् + च + अपरान् + क्रमात्; भ्रातरो = भ्रातरौ (dual).
FAQs
It describes performing a Śrāddha with mental composure and then arranging participants/recipients distinctly for offerings to the Devas (daiva) and to the Pitṛs (pitrya), in a prescribed order.
Classical ritual manuals treat offerings to the gods and offerings to ancestors as separate categories with different rules and recipients; the verse reflects that structured division within a single Śrāddha context.
It implies that ritual efficacy is tied not only to external procedure but also to inner discipline—performing sacred duties with a steady, attentive, and reverent mind.