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Shloka 113

Annadāna and the Obstruction of Viṣṇu-Darśana; Vāmadeva’s Teaching and the Vāsudeva Stotra Prelude

एतत्ते सर्वमाख्यातं यत्त्वया परिपृच्छितम् । अन्यत्किं ते प्रवक्ष्यामि तद्वदस्व महामते

etatte sarvamākhyātaṃ yattvayā paripṛcchitam | anyatkiṃ te pravakṣyāmi tadvadasva mahāmate

អ្វីៗទាំងនេះ ខ្ញុំបានពន្យល់ប្រាប់អ្នករួចហើយ តាមដែលអ្នកបានសួរ។ តើខ្ញុំនឹងប្រាប់អ្វីទៀត? ឱ មហាមតិ សូមអ្នកនិយាយចុះ។

एतत्this
एतत्:
Karta (Subject/कर्ता)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; here as subject with passive predicate
तेto you
ते:
Sampradana (Recipient/सम्प्रदान)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी (6th/षष्ठी) एकवचन (genitive ‘of you’) / or चतुर्थी (4th) in some contexts; here: ‘to you/for you’ sense with speech—taken as चतुर्थी एकवचन
सर्वम्all
सर्वम्:
Karta (Subject complement)
TypeNoun
Rootसर्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; ‘all (of it)’
आख्यातम्has been told
आख्यातम्:
Kriya (Predicate in passive)
TypeVerb
Rootआ-ख्या (धातु)
Formकृदन्त—क्त (past passive participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; ‘told/declared’
यत्which
यत्:
Karma (Object/कर्म)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; relative pronoun referring to the asked matter
त्वयाby you
त्वया:
Karana (Instrument/करण)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formतृतीया (3rd/तृतीया), एकवचन
परिपृच्छितम्asked
परिपृच्छितम्:
Karma (Object/कर्म)
TypeVerb
Rootपरि-प्रच्छ् (धातु)
Formकृदन्त—क्त (past passive participle), नपुंसकलिङ्ग, द्वितीया, एकवचन; ‘asked/inquired’
अन्यत्anything else
अन्यत्:
Karma (Object/कर्म)
TypeNoun
Rootअन्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; ‘something else’
किम्what
किम्:
Karma (Object/कर्म)
TypeNoun
Rootकिम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; interrogative
तेto you
ते:
Sampradana (Recipient/सम्प्रदान)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formचतुर्थी (4th/चतुर्थी), एकवचन; ‘to you’
प्रवक्ष्यामिshall I tell
प्रवक्ष्यामि:
Kriya (Main action/मुख्यक्रिया)
TypeVerb
Rootप्र-वच् (धातु)
Formलृट् (simple future), उत्तमपुरुष (1st person), एकवचन, परस्मैपदी
तत्that
तत्:
Karma (Object/कर्म)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; demonstrative referring to ‘that (matter)’
वदस्वtell (me)
वदस्व:
Kriya (Command)
TypeVerb
Rootवद् (धातु)
Formलोट् (imperative), मध्यमपुरुष (2nd person), एकवचन, आत्मनेपदी (वदस्व)
महामतेO great-minded one
महामते:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootमह (प्रातिपदिक) + मति (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (8th), एकवचन; समासः—कर्मधारयः (‘महती मतिः यस्य’)

Unspecified (narrator/sage responding to a questioner; vocative: mahāmate indicates the addressed interlocutor)

Concept: Right learning proceeds by sincere questioning and complete answers; the teacher invites the student to articulate the next spiritual need.

Application: Ask precise questions in spiritual study; after receiving guidance, reflect and request the next step (practice, prayer, or vow) rather than accumulating trivia.

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A serene hermitage interior where a venerable sage sits on kusa grass, palm-leaf manuscript beside him, turning gently toward an attentive disciple. The sage’s open hand gesture invites the next question, while the disciple leans forward in respectful anticipation.","primary_figures":["Sage/narrator-teacher","Questioner-disciple (mahāmati)"],"setting":"Forest āśrama with a small fire altar, water pot, and hanging garlands; quiet deer at the edge of the clearing.","lighting_mood":"forest dappled","color_palette":["sage green","sandalwood beige","soft ochre","smoke gray","river-blue"],"tanjore_prompt":"Tanjore painting style: a seated rishi with gold-leaf halo and ornate borders, right hand in teaching mudra, disciple kneeling with folded hands; rich red backdrop, green foliage stylization, gold embellishment on manuscripts and ritual vessels, symmetrical composition.","pahari_prompt":"Pahari miniature style: intimate guru-śiṣya scene in a Himalayan-like grove; delicate faces, fine textiles, a small yajna-kunda, gentle stream in the background; cool greens and blues with soft ochre accents, lyrical calm.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized eyes; rishi and disciple framed by creepers and a simple altar; warm red and yellow fields with green foliage, traditional mural flatness and rhythmic ornament.","pichwai_prompt":"Pichwai cloth painting style: devotional teaching scene framed by lotus and floral borders; peacocks perched on vines; deep blue ground with gold highlights; the sage and disciple rendered with decorative patterning and temple-like symmetry."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["birds","crackling fire","gentle breeze","soft bell"]}

Sandhi Resolution Notes: एतत्ते = एतत् ते; सर्वमाख्यातं = सर्वम् आख्यातम्; यत्त्वया = यत् त्वया; अन्यत्किं = अन्यत् किम्; तद्वदस्व = तत् वदस्व।

FAQs

The speaker confirms that all the earlier questions have been answered and invites the listener to ask the next question, emphasizing a structured teacher–student dialogue.

No. It is a transitional dialogue line and contains no named deities, places, or ritual instructions by itself.

It models respectful inquiry and complete instruction—ask clearly, listen fully, and then proceed step-by-step to further understanding.