Shloka 17
Glory of Guru-tīrtha: Mānasarovara Marvels and the Revā Confluence
पश्चाद्भिल्ली समायाता अन्नमादाय सोदकम् । स्वं प्रियं वीक्षते राज्ञा मुदितैर्लक्षणैर्युतम्
paścādbhillī samāyātā annamādāya sodakam | svaṃ priyaṃ vīkṣate rājñā muditairlakṣaṇairyutam
បន្ទាប់មក ភិល្លីមកដល់ ដោយយកអាហារជាមួយទឹកមកផង។ នាងបានឃើញអ្នកជាទីស្រឡាញ់របស់នាង ដែលត្រូវព្រះរាជាប្រទានសញ្ញាមង្គលដ៏រីករាយ។
Unspecified (narrative verse within the Purāṇic dialogue frame)
Concept: Sevā expressed through anna-jala (food and water) is a pure love-language; auspicious transformation is recognized through lakṣaṇas (marks) rather than mere familiarity.
Application: Offer care in tangible ways—food, water, attention—especially when relationships are strained; look for inner change, not just old patterns.
Primary Rasa: shringara
Secondary Rasa: adbhuta
Type: forest
Visual Art Cues: {"scene_description":"A Bhillī woman approaches through the trees carrying a leaf-woven basket of food and a water pot, her face bright with expectation. She stops suddenly, eyes widening as she sees her beloved bearing auspicious marks bestowed by a king—his posture and presence subtly elevated, as if destiny has touched him.","primary_figures":["Bhillī (forest woman)","beloved (hunter/forest man)"],"setting":"forest path opening into a small clearing near a rock seat, with leaf-litter and flowering shrubs","lighting_mood":"golden dawn","color_palette":["leaf green","clay brown","lotus pink","warm gold","pearl white"],"tanjore_prompt":"Tanjore painting style: Bhillī with ornate yet rustic jewelry, holding a kalasha and offering tray; the beloved seated with visible auspicious marks and regal tokens; gold leaf halos and border work, rich reds/greens, emphasizing the sanctity of humble seva.","pahari_prompt":"Pahari miniature style: tender forest romance; Bhillī mid-step with basket and water pot; the beloved with subtle royal insignia; delicate expressions, soft dawn sky, refined naturalism with cool greens and warm highlights.","kerala_mural_prompt":"Kerala mural style: iconic figures with large expressive eyes; Bhillī presenting anna-jala; the beloved marked with auspicious symbols; patterned foliage and temple-mural composition, strong reds/yellows/greens.","pichwai_prompt":"Pichwai cloth painting style: devotionalized domestic offering scene; ornate floral borders, stylized trees; Bhillī holding offerings like a ritual; the beloved centered with auspicious motifs; deep blues and gold accents, lotus patterns suggesting purity."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["gentle birdsong","soft ankle-bells (implied)","leaf rustle","distant temple bell (subtle)"]}
Sandhi Resolution Notes: पश्चाद्भिल्ली → पश्चात् + भिल्ली; अन्नमादाय → अन्नम् + आदाय; सोदकम् → स + उदकम्; मुदितैर्लक्षणैर्युतम् → मुदितैः + लक्षणैः + युतम् (visarga/ḥ before l becomes r in sandhi).
FAQs
Bhillī is presented as a woman associated with the Bhilla community/tribe; in the narrative she arrives carrying provisions (food and water).
Lakṣaṇas are marks or auspicious signs; the verse says the beloved is “yuta” (endowed) with such joyful/pleasing marks bestowed by the king.
It highlights care and provision (bringing food and water) alongside royal recognition or honor (bestowal of auspicious marks), reinforcing themes of support, protection, and auspicious validation within the story.