Shloka 31
Pitṛ-tīrtha Context: Marks of Sin, Śrāddha Discipline, and Karmic Ripening
in Yayāti’s Narrative
आदौ परीक्षयेद्विप्रं श्राद्धे दाने प्रकारयेत् । नाश्नंति तस्य वै गेहे पितरो विप्रवर्जिताः
ādau parīkṣayedvipraṃ śrāddhe dāne prakārayet | nāśnaṃti tasya vai gehe pitaro vipravarjitāḥ
ដំបូងគួរត្រួតពិនិត្យព្រះព្រាហ្មណ៍ដែលត្រូវអញ្ជើញ សិនហើយទើបរៀបចំពិធីស្រាទ្ធ និងទានឲ្យត្រឹមត្រូវ។ បិតរបុព្វបុរសមិនទទួលភាគទាននៅផ្ទះរបស់អ្នកដែលធ្វើពិធីទាំងនេះដោយគ្មានព្រះព្រាហ្មណ៍ឡើយ។
Unspecified (narrative instruction within Bhūmi-khaṇḍa context)
Concept: Examine the brāhmaṇa first, then perform śrāddha and dāna properly; without a brāhmaṇa, the pitṛs do not accept the offerings.
Application: Before any important religious/charitable act, verify the guide’s integrity and your own preparedness; do fewer rites but do them correctly and sincerely.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A householder, hands folded, respectfully questions and observes a prospective brāhmaṇa—his cleanliness, calm speech, and ritual readiness—before seating him on a kusa mat. In the background, faint luminous silhouettes of pitṛs hover near the offering space, turning toward the rite only when the qualified brāhmaṇa is present, suggesting acceptance and blessing.","primary_figures":["householder (yajamāna)","qualified brāhmaṇa","pitṛs (ancestral spirits, subtle luminous forms)","family members with offering trays"],"setting":"home shrine/ritual pavilion with kusa mats, sesame offerings, water pot, and a small sacred fire or lamp","lighting_mood":"soft lamp-lit serenity","color_palette":["warm amber","cream white","sandalwood beige","copper","soft teal"],"tanjore_prompt":"Tanjore painting style: the yajamāna examining and then honoring a seated brāhmaṇa on a kusa mat; subtle pitṛ figures in the upper background with gold leaf aura; ornate lamps, rich maroon drapery, gold borders, traditional South Indian ritual iconography.","pahari_prompt":"Pahari miniature style: intimate domestic shrine with delicate textiles and refined faces; the brāhmaṇa seated calmly, the householder offering arghya; translucent pitṛ silhouettes painted lightly above the offerings; cool shadows, lyrical detail, gentle moral symbolism.","kerala_mural_prompt":"Kerala mural style: bold outlines, warm pigments; brāhmaṇa and yajamāna in clear frontal composition with ritual objects emphasized; pitṛs as stylized luminous forms; temple-wall didactic clarity with lotus and creeper borders.","pichwai_prompt":"Pichwai cloth painting style: symmetrical shrine scene framed by lotus and tulasī-like floral borders; lamps and offering trays arranged in patterned rhythm; deep blue/teal ground with gold highlights; subtle ancestral forms above, conveying acceptance of offerings."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["steady bell pulse","soft mantra undertone","ghee lamp crackle","gentle water pour","quiet household stillness"]}
Sandhi Resolution Notes: परीक्षयेद्विप्रम् = परीक्षयेत् + विप्रम्; नाश्नन्ति = न + अश्नन्ति; विप्रवर्जिताः = विप्र + वर्जिताः (समास/समासवत् प्रयोगः).
FAQs
Because the rite’s efficacy is linked to inviting a qualified, appropriate brāhmaṇa; the text advises discernment so the śrāddha and dāna are performed correctly and with proper recipients.
It states that the Pitṛs (ancestors) do not partake of the offerings in the performer’s house when the rite is done without a brāhmaṇa.
Ritual duty should be done with care, right procedure, and suitable participants—discernment and sincerity matter, not mere outward performance.