Shloka 50
The Tale of Sukalā: Testing Pativratā Fidelity and the Body-as-House Teaching
अयमेकः समायातः पुरुषो रूपवान्गुणी । अयं हि पुरुषव्याघ्रः सर्वज्ञो गुणवान्धनी
ayamekaḥ samāyātaḥ puruṣo rūpavānguṇī | ayaṃ hi puruṣavyāghraḥ sarvajño guṇavāndhanī
បុរសនេះមកទីនេះតែម្នាក់ឯង—មានរូបសម្បត្តិស្រស់ស្អាត និងពោរពេញដោយគុណធម៌។ ពិតប្រាកដណាស់ គាត់ជាដូចខ្លាធំក្នុងចំណោមមនុស្ស៖ ជ្រាបដឹងទាំងអស់ មានគុណល្អ និងសម្បត្តិច្រើន។
Unspecified (a narrator/character describing a man; speaker not identifiable from the single verse alone)
Concept: External excellence (beauty, wealth, knowledge) is celebrated, but Purāṇic framing often tests such praise against dharma and devotion.
Application: Cultivate competence and character, but measure greatness by integrity and service rather than mere status; use resources for charity, temple support, and protection of dependents.
Primary Rasa: vira
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"At the gate of a city or palace, courtiers turn in astonishment as a solitary, radiant man arrives—well-dressed, calm-eyed, and carrying the aura of competence and wealth. Behind him, banners flutter and a pathway leads toward a temple, hinting that his virtues may be tested by dharma and devotion.","primary_figures":["the praised man (puruṣa-vyāghra)","courtiers or townspeople (generic)"],"setting":"palace entrance or city gate with carved archways, banners, and a distant temple tower","lighting_mood":"divine radiance","color_palette":["royal blue","burnished gold","white pearl","vermilion","jade green"],"tanjore_prompt":"Tanjore painting style: heroic arrival at a palace gate—central figure adorned with gem-studded ornaments, rich textiles, and a composed expression; gold leaf on jewelry, archways, and banners; deep reds and greens, traditional South Indian decorative borders; a distant Vishnu temple gopuram subtly included to foreshadow devotional framing.","pahari_prompt":"Pahari miniature style: refined city-gate scene with delicate brushwork, cool architectural tones, and lyrical crowd reactions; central hero in royal blue, subtle halo-like radiance, distant temple spire and hills; elegant facial features and balanced composition.","kerala_mural_prompt":"Kerala mural style: bold outlines—central heroic figure with stylized ornaments, attendants on either side, palace arch and temple tower; saturated red/yellow/green with deep blue background, expressive eyes and symmetrical layout.","pichwai_prompt":"Pichwai cloth painting style: ornate border of lotus and floral motifs framing a ceremonial arrival; central figure in rich attire, attendants and banners rendered as patterned motifs; deep blues and gold, temple element included, intricate detailing reminiscent of Nathdwara decorative density."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","temple bells","crowd murmur","drum flourish","fluttering flags in wind"]}
Sandhi Resolution Notes: ayamekaḥ = ayam + ekaḥ; rūpavānguṇī = rūpavān + guṇī.
FAQs
The verse praises a man as handsome (rūpavān), virtuous (guṇī/guṇavān), exceptionally eminent (puruṣavyāghra), all-knowing (sarvajña), and wealthy (dhanī).
Literally “tiger among men,” it is an idiom meaning an outstanding or heroic person—someone superior among people.
In many Sanskrit praises it can be hyperbolic, indicating great wisdom and competence; without surrounding context, it may be read as “highly knowledgeable” rather than absolute omniscience.