Shloka 16
The Story of Sukalā
Episode: Ugrasena and Padmāvatī’s Return to Vidarbha
प्रेषयस्व महाभागां प्रियां प्रीतिकरां तव । औत्कण्ठ्येन महाराज स सोत्कंठेन वर्तते
preṣayasva mahābhāgāṃ priyāṃ prītikarāṃ tava | autkaṇṭhyena mahārāja sa sotkaṃṭhena vartate
ឱ មហារាជ សូមផ្ញើព្រះនាងជាទីស្រឡាញ់ដ៏មានបុណ្យ—អ្នកដែលព្រះអង្គស្រឡាញ់ និងនាំមកនូវសេចក្តីរីករាយ—ទៅឲ្យគាត់។ ដោយសេចក្តីអាល័យអាវរណ៍ គាត់នៅតែរស់ក្នុងភាពរង់ចាំដោយក្តីប៉ងប្រាថ្នាខ្លាំង។
Unspecified (context-dependent within Bhūmi-khaṇḍa dialogue frame)
Concept: To relieve another’s longing is a form of dharmic kindness; love that ‘brings joy’ (prītikarā) is validated by responsiveness.
Application: Notice unspoken yearning in family relationships; act promptly to reduce anxiety and restore connection.
Primary Rasa: shringara
Secondary Rasa: karuna
Type: city
Visual Art Cues: {"scene_description":"A messenger bows before the great king, describing Padmāvatī as the beloved who brings delight, while the unseen lover paces in restless yearning. Draped corridors and perfumed air heighten the sense of separation; the court’s grandeur contrasts with the simple ache of longing.","primary_figures":["a court messenger/speaker","a great king (mahārāja)","the yearning figure (implied 'he')","Padmāvatī (idealized, implied)"],"setting":"palace corridor opening into an audience hall; a distant inner chamber suggested by curtains and lattice windows","lighting_mood":"golden dawn","color_palette":["soft gold","ivory white","rose red","peacock blue","jade green"],"tanjore_prompt":"Tanjore painting style: the king seated beneath a gilded arch, messenger gesturing with respectful urgency; gold leaf highlights on throne, jewelry, and lotus borders; in a side panel, the yearning figure stands near a curtained doorway holding a lotus, symbolizing autkaṇṭhya; saturated reds/greens with ornate South Indian patterns.","pahari_prompt":"Pahari miniature style: split-scene composition—left: messenger addressing the king; right: the longing figure by a balcony overlooking a garden, fingers on the lattice, eyes searching; cool blues and greens, delicate textiles, and a lyrical sense of distance.","kerala_mural_prompt":"Kerala mural style: frontal king and messenger with expressive eyes; a stylized side vignette shows the yearning figure with a lotus and a slightly bent posture; warm pigments, bold outlines, and rhythmic floral motifs framing the narrative.","pichwai_prompt":"Pichwai cloth painting style: decorative palace-garden hybrid with lotus ponds and peacocks; central narrative medallion shows the messenger’s plea; border filled with lotus vines; deep blue ground with gold and pink accents, emphasizing longing as a devotional aesthetic."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["soft conch in distance","palace courtyard birds","rustle of silk","heartbeat-like drum undercurrent"]}
Sandhi Resolution Notes: सोत्कण्ठेन = स + उत्कण्ठेन (सन्धि: सवर्णदीर्घ/ओ-आदेश).
FAQs
Autkaṇṭhya means intense longing or anxious yearning, especially the restless anticipation felt in separation.
The verse centers on separation and longing, urging the king to send the beloved who brings joy, because someone is waiting in eager anticipation.
It suggests responsiveness and compassion: when one knows another is distressed by separation, one should act promptly to relieve that suffering.