Shloka 17
The Account of Sukalā in the Vena Episode: The Sow, the Sons, and Royal Restraint
मातरं पृष्ठतः कृत्वा तनयो युध्यते स तैः । दंष्ट्रया निहताः केचित्केचित्तुंडेन घातिताः
mātaraṃ pṛṣṭhataḥ kṛtvā tanayo yudhyate sa taiḥ | daṃṣṭrayā nihatāḥ kecitkecittuṃḍena ghātitāḥ
ដោយដាក់ម្តាយនៅពីក្រោយខ្លួន កូនប្រុសនោះបានប្រយុទ្ធនឹងពួកគេ; មួយចំនួនត្រូវសម្លាប់ដោយចង្កូមរបស់គេ ហើយមួយចំនួនទៀតត្រូវវាយដោយចំពុះរហូតដួលរលំ។
Unknown (narrative voice; verse provided without surrounding dialogue context)
Concept: Protecting one’s mother/parents is a core dharma; true heroism is defense of the helpless, not aggression.
Application: Stand between harm and those dependent on you; let duty, not ego, define bravery—especially in family responsibilities.
Primary Rasa: vira
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A fierce son positions his mother behind his own body like a living shield, turning to face a ring of attackers. In a startling, almost mythic reversal, he strikes with tusk and beak—half-beast, half-hero—scattering foes as the mother clutches her garment in trembling prayer.","primary_figures":["the son (tanaya)","the mother","attacking warriors"],"setting":"battlefield edge near a scrubby thicket, suggesting a last stand and a narrow refuge","lighting_mood":"late-afternoon glare with sharp shadows, heightening urgency","color_palette":["burnt sienna","ivory white","deep vermilion","shadow umber","steel blue"],"tanjore_prompt":"Tanjore painting style: central heroic figure shielding his mother, rendered with gold-leaf aura and ornate borders; attackers encircle with stylized weapons; the mother’s sari in rich crimson and green, jewelry highlighted with gem-like dots, dramatic yet devotional composition emphasizing dharma.","pahari_prompt":"Pahari miniature style: intimate, emotional scene—mother behind the son, delicate facial expressions of fear and resolve; fine linework for tusk and beak action, soft hills or sparse trees in the background, cool shadows and lyrical realism.","kerala_mural_prompt":"Kerala mural style: bold outlines show the son in a protective stance, mother placed behind in a clear narrative silhouette; rhythmic depiction of fallen foes; strong red-yellow-green palette with expressive eyes conveying karuṇā and vīra together.","pichwai_prompt":"Pichwai cloth painting style: symbolic dharma tableau—mother and son framed by lotus borders; attackers stylized as dark figures of adharma; intricate floral patterns soften the violence, deep indigo background with gold highlights and ivory figures."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["urgent drum","rapid footsteps","mother’s gasp","weapon clang","sudden hush after strikes"]}
Sandhi Resolution Notes: केचित्केचित्तुंडेन → केचित् केचित् तुंडेन (व्यञ्जन-सन्धि: त् + क → क्क; त् + त → त्त).
FAQs
It highlights protective duty: the son shields his mother by placing her behind him while he confronts attackers.
They denote weapons or natural features used in combat—“daṃṣṭrā” (tusk/fang) and “tuṇḍa” (beak)—suggesting the fighter may be an animal or a being described with animal attributes.
Not reliably. The verse reads like third-person narration; identifying a specific speaker (e.g., Pulastya, Bhīṣma, Śiva, Pārvatī) requires the surrounding verses of Adhyaya 45.