Shloka 29
The Narrative of Suvrata: Tapas, Surrender-Prayer, and Cyclical Time
यदि कृष्ण प्रसन्नोसि देहि मे सुवरं प्रभो । मन्मातापितरौ कृष्ण सकायौ मंदिरे नय
yadi kṛṣṇa prasannosi dehi me suvaraṃ prabho | manmātāpitarau kṛṣṇa sakāyau maṃdire naya
ឱព្រះក្រឹṣṇaជាព្រះអម្ចាស់ បើព្រះអង្គពេញព្រះហឫទ័យ សូមប្រទានពរដ៏ប្រសើរដល់ខ្ញុំ។ ឱព្រះក្រឹṣṇa សូមនាំមាតា និងបិតារបស់ខ្ញុំ ព្រមទាំងរាងកាយរបស់ពួកគេ ទៅកាន់ព្រះធាមរបស់ព្រះអង្គ។
Unspecified devotee/supplicant addressing Lord Kṛṣṇa (context not provided in the input)
Concept: A devotee’s highest boon is not wealth but the uplift of loved ones into the Lord’s abode—bhakti expands into compassion and responsibility.
Application: Transform personal spirituality into intercessory prayer and service for family; cultivate devotion that seeks others’ welfare rather than private gain.
Primary Rasa: karuna
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A devotee stands with trembling hands before Śrī Kṛṣṇa, whose compassionate gaze softens the entire scene. Behind the devotee, aged parents appear in gentle silhouette, still embodied, as if awaiting the Lord’s invitation; the doorway of a radiant celestial mandira opens like dawn beyond clouds.","primary_figures":["Krishna","Devotee/supplicant","Mother","Father"],"setting":"Threshold between earthly space and a luminous celestial temple corridor; faint clouds and lotus motifs.","lighting_mood":"divine radiance","color_palette":["peacock blue","sunrise gold","cloud white","rose madder","leaf green"],"tanjore_prompt":"Tanjore painting style: Krishna as boon-giver with raised abhaya/vara mudrā, lavish gold leaf aura, ornate crown and jewelry, devotee pleading in añjali, parents behind with gentle expressions, a glowing Vaikuṇṭha-style archway studded with gem-like details, rich maroons and greens, gold embossing on garments and temple pillars.","pahari_prompt":"Pahari miniature style: Krishna in elegant tribhaṅga beside a luminous palace doorway, delicate facial features, soft pastel clouds, the devotee kneeling with parents in the background, fine floral borders with lotuses and Tulasi sprigs, cool blues and warm saffron highlights, lyrical tenderness.","kerala_mural_prompt":"Kerala mural style: Krishna with bold outlines and stylized eyes, yellow-red-green palette, devotee and parents rendered in iconic poses, temple doorway with ornamental bands, radiating halo patterns, emphasis on compassionate expression and clear narrative readability.","pichwai_prompt":"Pichwai cloth painting style: Krishna centered with ornate lotus border, deep indigo background, golden mandira doorway framed by floral vines, small lamps and peacocks at the base, devotee and parents in symmetrical arrangement, intricate Nathdwara ornamentation and Tulasi garland motifs."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["soft mridangam pulse","temple bells","conch shell (distant)","gentle wind"]}
Sandhi Resolution Notes: प्रसन्नोसि = प्रसन्नः + असि; मन्मातापितरौ = मत् + माता + पितरौ (द्वन्द्व-समास); मंदिरे = मन्दिरे (अनुस्वार-लेखनभेद: maṃdire).
FAQs
The speaker asks Kṛṣṇa to take the speaker’s mother and father—together with their bodies—into His divine abode.
It presents devotion as intimate reliance on Kṛṣṇa’s grace: the devotee appeals to the Lord’s pleasure (prasāda) and seeks salvation for loved ones through Him.
It highlights filial responsibility and gratitude: the devotee’s spiritual aspiration includes the welfare and liberation of one’s parents, not merely personal benefit.