Shloka 14
The Greatness of Puruṣottama
Goloka-tattva and Rādhā–Kṛṣṇa Upāsanā
नैव पश्यति तद्रूपं ध्यायति ध्यानगोचरम् । कदाचित्क्रीडतोर्देवि राधामाधवयोर्वपुः ॥ १४ ॥
naiva paśyati tadrūpaṃ dhyāyati dhyānagocaram | kadācitkrīḍatordevi rādhāmādhavayorvapuḥ || 14 ||
គាត់មិនបានឃើញរូបនោះដោយភ្នែកទេ ប៉ុន្តែសមាធិលើអ្វីដែលអាចដល់បានតែដោយធ្យាន។ ឱ ទេវី ពេលខ្លះគាត់គិតគូរលើរាងកាយរបស់ រាធា និង មាធវា ខណៈពួកគេលេងកម្សាន្តជាមួយគ្នា។
Narada (addressing Devi)
Vrata: none
Rasa: {"primary_rasa":"bhakti","secondary_rasa":"shanta","emotional_journey":"From the negation of ordinary seeing to inward contemplative vision, culminating in intimate divine play (līlā) of Rādhā–Mādhava."}
FAQs
It emphasizes that the Lord’s divine form is primarily realized through inner contemplation (dhyāna) rather than ordinary sensory sight, highlighting bhakti as an inward, vision-giving discipline.
Bhakti here is expressed as loving meditation on the līlā-form of Rādhā–Mādhava; the devotee’s relationship deepens by repeatedly bringing the divine couple into the heart’s awareness.
No specific Vedāṅga (like Vyākaraṇa or Jyotiṣa) is taught in this line; the practical takeaway is dhyāna-upāsanā—disciplined visualization and mental worship as a sādhana within Purāṇic bhakti.