The Greatness of Puruṣottama
Aṣṭākṣarī Maṇḍala-Pūjā and Nyāsa
पुरं विलिख्य विधिजेतीरे तस्य महोदधेः । मध्ये तत्र लिखेत्पद्मष्टपत्रं सकर्णिकम् ॥ २ ॥
puraṃ vilikhya vidhijetīre tasya mahodadheḥ | madhye tatra likhetpadmaṣṭapatraṃ sakarṇikam || 2 ||
បន្ទាប់ពីគូរបុរៈ (ព្រំសក្ការៈ) ឲ្យត្រឹមត្រូវនៅលើឆ្នេរនៃមហាសមុទ្រនោះ ហើយនៅកណ្ដាលទីនោះ ត្រូវគូរផ្កាឈូកមានប្រាំបីក្រឡា មានកណ្ដាលផ្កា (កರ್ಣិកា) ពេញលេញ។
Narada
Vrata: none
Rasa: {"primary_rasa":"shanta","secondary_rasa":"adbhuta","emotional_journey":"From precise drawing of the sacred enclosure to the emergence of a lotus-center—order giving way to sacred wonder."}
It sanctifies the worship-space by prescribing a ritually bounded area and a lotus-maṇḍala, symbolizing purity and an ordered cosmos where the deity is invoked at the center.
Bhakti here is expressed through careful preparation of the worship-field—drawing the enclosure and lotus as an act of reverent service (seva) done “according to rule” (vidhi).
It highlights ritual procedure and precise layout (a kalpa-style application): measuring/inscribing a mandala and placing the central karnikā, reflecting technical discipline used in pūjā and vrata observances.