Anadhyaya and the Winds: From Vedic Recitation Protocol to Sanatkumara’s Moksha-Upadesha
असज्जमानः शांतात्मा निर्विकारः समाहितः । आत्मभूतैरतद्भूतः सह चैव विनैव च ॥ ५१ ॥
asajjamānaḥ śāṃtātmā nirvikāraḥ samāhitaḥ | ātmabhūtairatadbhūtaḥ saha caiva vinaiva ca || 51 ||
មិនជាប់ចិត្តនឹងអ្វីៗ មានចិត្តស្ងប់ ស្មើគ្នា មិនប្រែប្រួលខាងក្នុង និងមានសមាធិមាំមួន—គាត់នៅមិនភ្ជាប់ទោះនៅក្នុងចំណោមអ្នកដែលដូចជាអាត្មារបស់ខ្លួន ឬអ្នកដែលមិនដូច; នៅជាមួយគេក៏ដូចនៅឯកោ គាត់ស្ថិតស្មើគ្នា។
Sanatkumara (teaching Narada on Moksha-Dharma characteristics)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It defines the inner marks of liberation: non-clinging, peace, freedom from mental disturbance, and steady composure that remains unchanged in both social contact and solitude.
By stressing non-attachment and steadiness, it supports pure bhakti: devotion that does not depend on external company, praise, or circumstances, but rests in an undisturbed heart.
No specific Vedanga (like Vyakarana, Jyotisha, or Kalpa) is taught here; the practical takeaway is yogic discipline—samādhāna (collectedness) and vairāgya (non-identification) as daily practice.