Adhyaya 62 — The Fire-God Enters the Brahmin Youth; Varuthini’s Love-Sickness and Kali’s Disguise
जगाम च त्वरायुक्तस्तया देव्याः निरीक्षितः ।
आदृष्टिपातात्तन्वङ्ग्या निश्वासोत्कम्पिकन्धरम् ॥
jagāma ca tvarāyuktas tayā devyā nirīkṣitaḥ | ādṛṣṭipātāt tanvaṅgyā niśvāsotkampikandharam ||
គាត់បានដើរទៅដោយលឿន ប៉ុន្តែពេលត្រូវក្រមុំទេវីនោះសម្លឹងមើល—ដោយការធ្លាក់ចុះនៃសម្លឹងរបស់នាងដែលមានអវយវៈស្រស់ស្អាត—ករបស់គាត់បានញ័រដោយដង្ហើមធ្ងន់ៗ។
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The text marks desire by physiological signs (sighing, trembling), implying that unguarded sensory contact can disturb composure—setting the stage for teaching about restraint and mindfulness.
Narrative depiction of kāma; not pañcalakṣaṇa.
The ‘glance’ functions like a subtle transmission (saṅketa) that agitates prāṇa; it dramatizes how saṃskāras can be activated instantly through sense-doors.