Adhyaya 45 — Jaimini’s Cosmological Questions and the Opening of Markandeya’s Account of Primary Creation
द्विगुणो जायते वायुः तस्य स्पर्शो गुणो मतः ।
रूपन्तथैवाविशतः शब्दस्पर्शगुणावुभौ ॥
dviguṇo jāyate vāyustasya sparśo guṇo mataḥ / rūpantathaivāviśataḥ śabdasparśaguṇāvubhau
ខ្យល់ (vāyu) កើតឡើងដោយមានគុណសម្បត្តិពីរ; គុណសម្បត្តិរបស់វាត្រូវបានចាត់ទុកថាជា «ការប៉ះ»។ បន្ទាប់មក «រូប» (rūpa) ក៏ចូលរួមដូចគ្នា ដើម្បីឲ្យវាមានទាំងគុណសម្បត្តិ សំឡេង និងការប៉ះ។
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The model explains perceptible complexity via incremental attributes: air is not an isolated ‘thing’ but a stage in the accumulation of sensory qualities. It encourages analytical discernment (viveka) about what we call ‘elements’—they are structured experiences.
Sarga: continuation of elemental evolution through guṇa accumulation.
Air as touch-dominant indicates prāṇic dynamism; adding form hints at the mind’s increasing capacity to ‘picture’ and stabilize appearances—movement begins to acquire visible pattern.