Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
विश्वावासं विश्वरूपं विश्वेशं परमेश्वरम् ।
सांख्यवेदान्तवादोक्तं बहुशाखास्थिरीकृतम् ॥
viśvāvāsaṃ viśvarūpaṃ viśveśaṃ parameśvaram /
sāṃkhyavedāntavādoktaṃ bahuśākhāsthirīkṛtam
ព្រះនាងជាទីស្ថិតនៃសកលលោក ជារូបសកល ជាព្រះអម្ចាស់នៃសព្វសត្វ ជាអធិបតីអតិបរមា ដូចដែលទស្សនៈសាំងខ្យា និងវេដាន្តបានប្រកាស ហើយបានបង្កើតមូលដ្ឋានក្នុងសាខាព្រះធម៌ជាច្រើន។
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The hymn asserts Devī as the ultimate ground of reality, transcending sectarian limits: even differing darśanas (Sāṅkhya/Vedānta) converge in pointing to the Supreme as the support and form of the cosmos.
Primarily within Vaṃśānucarita/Upākhyāna-style theological narration rather than strict cosmography; as Devi Mahatmyam it functions as dharma-upadeśa through stuti (devotion as a means), not as sarga/pratisarga detail.
‘Many branches’ hints that mantra, śruti, and śāstra are diverse expressions of one Śakti; the Goddess is both the meaning and the stability behind all articulated knowledge.