Invocation, Purāṇa Lakṣaṇas, Kurma at the Samudra-manthana, and Indradyumna’s Liberation Teaching
Iśvara-Gītā Prelude
निर्गुणाय नमस्तुभ्यं निष्कलायामलात्मने / पुरुषाय नमस्तुभ्यं विश्वरूपाय ते नमः
nirguṇāya namastubhyaṃ niṣkalāyāmalātmane / puruṣāya namastubhyaṃ viśvarūpāya te namaḥ
សូមនមស្ការដល់ព្រះអង្គ អ្នកលើសគុណទាំងអស់ (និរគុណ) អ្នកគ្មានផ្នែក និងអាត្មាបរិសុទ្ធមិនមានមល; សូមនមស្ការដល់ព្រះអង្គ ជាបុរសដ៏អធិ (បុរុષ); សូមនមស្ការដល់ព្រះអង្គ អ្នកមានរូបជាវិស្វរូប—រូបសកលលោកទាំងមូល។
A narrator/traditional invocatory voice (mangalācaraṇa) praising the Supreme Lord identified with Hari/Iśvara in the Kurma Purana’s Shaiva–Vaishnava synthesis
Primary Rasa: shanta
Secondary Rasa: adbhuta
It presents the Supreme as nirguṇa (beyond qualities) and niṣkala (partless), yet as amala-ātman (the perfectly pure Self), indicating a transcendental Consciousness that is untouched by material attributes.
The verse supports contemplative Yoga that alternates between nirguṇa-dhyāna (meditation on the attributeless, partless Self) and viśvarūpa-bhāvanā (seeing the cosmos as the Lord’s form), aligning devotion with non-dual insight.
By praising one Supreme Iśvara as both transcendent (nirguṇa, niṣkala) and immanent (viśvarūpa), it reflects the Kurma Purana’s non-sectarian stance where Hari and Śiva are understood as expressions of the same ultimate Reality.