Chapter 378: Brahma-jñāna
Knowledge of Brahman
शब्दब्रह्मागममयं परं ब्रह्म विवेकजम् द्वे ब्रह्मणी वेदितव्ये ब्रह्मशब्दपरञ्च यत्
śabdabrahmāgamamayaṃ paraṃ brahma vivekajam dve brahmaṇī veditavye brahmaśabdaparañca yat
ព្រះព្រហ្មដ៏អតិបរមា ត្រូវបានបង្កប់ដោយអាគមៈ ជា «ព្រហ្មក្នុងរូបសំឡេង» (śabda-brahman) ហើយត្រូវបានដឹងដោយប្រាជ្ញាវិវេក។ ដូច្នេះ មានព្រហ្មពីរដែលគួរដឹង៖ ព្រហ្មជាពាក្យ/សំឡេង (brahma-śabda) និងព្រហ្មដ៏អតិបរមា (param)។
Lord Agni (traditionally instructing Sage Vasiṣṭha in the Agni Purana’s discourse frame)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Vyakarana","practical_application":"Discriminate between linguistic revelation (śabda-brahman) and the transcendent Brahman to orient study (śāstra/āgama) toward realization rather than mere verbalism.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Dve Brahmaṇī: Śabda-brahman and Para-brahman","lookup_keywords":["śabda-brahman","para-brahman","āgama","viveka","brahma-śabda"],"quick_summary":"The text distinguishes Brahman as accessible through sound/scripture (śabda-brahman) from the supreme Brahman realized by discriminative knowledge. Scriptural sound is a valid doorway, but not identical with the final, non-verbal realization."}
Alamkara Type: Vibhajana (conceptual division)
Concept: Twofold knowing: śabda-brahman (scriptural/sound-form) and para-brahman (supreme, realized through viveka).
Application: Use śruti/āgama as disciplined inquiry leading to discrimination and contemplative realization, avoiding attachment to mere recitation or terminology.
Khanda Section: Sahitya-shastra / Shabda-brahma (Vedic-phonetic theology and linguistic metaphysics)
Primary Rasa: Shanta
Secondary Rasa: Adbhuta
Visual Art Cues: {"scene_description":"A sage instructs a student: one side shows Vedic manuscripts and resonant syllables (śabda-brahman), the other a luminous formless radiance (para-brahman) reached through discernment.","kerala_mural_prompt":"Kerala temple mural, seated rishi with palm-leaf manuscripts, stylized sound-waves as Sanskrit syllables rising to a golden formless halo labeled para-brahman, deep earthy reds and greens, traditional ornamentation","tanjore_prompt":"Tanjore painting, guru and disciple, embossed gold halo representing para-brahman, manuscripts and rosary for śabda-brahman, rich jewel tones, gold work highlighting the twofold Brahman teaching","mysore_prompt":"Mysore painting, instructional composition with two panels: left Veda/āgama and sound-symbols, right abstract luminous Brahman, fine linework, soft shading, captions in Devanagari","mughal_miniature_prompt":"Mughal miniature, scholarly assembly in a garden pavilion, one scholar pointing from a manuscript to an abstract radiant disc in the sky, delicate borders, fine calligraphy motifs"}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"contemplative"}
Sandhi Resolution Notes: śabdabrahmāgamamayaṃ = śabda-brahma-āgama-mayam; brahmaśब्दपरञ्च = brahma-śabda-param ca; IAST 'parañca' normalized to 'param ca'.
Related Themes: Agni Purana 378.9; Agni Purana 378.10; Agni Purana 378.11; Agni Purana 378.12
It teaches the doctrine of śabda-brahman (Brahman as Vedic sound/scripture) alongside para-brahman (the transcendent Absolute), implying that mantra/āgama-based practice and discriminative inquiry (viveka) are complementary means of knowing Brahman.
The Agni Purana integrates ritual-technical domains (āgama, mantra, sacred speech) with philosophical Vedāntic synthesis (para-brahman and viveka), showing how linguistic science and scripture-based practice are mapped onto metaphysical realization.
By distinguishing and knowing both śabda-brahman (scriptural sound) and para-brahman (supreme reality), the practitioner aligns disciplined recitation and study with inner discernment, supporting purification of understanding and progress toward liberation.