Discrimination of the Qualities of Poetry (Kāvya-guṇa-viveka) — Closing Verse/Colophon Transition
तर्कज्ञानं मुनेः कस्य कस्यचित् क्षणभङ्गिका भूतचैतन्यता कस्य ज्ञानस्य सुप्रकाशता
tarkajñānaṃ muneḥ kasya kasyacit kṣaṇabhaṅgikā bhūtacaitanyatā kasya jñānasya suprakāśatā
សម្រាប់មុនីណា ការអនុមានដោយតក្កៈ ត្រូវបានរាប់ជាចំណេះដឹងត្រឹមត្រូវ? សម្រាប់ទស្សនៈណា សព្វវត្ថុមានសភាពខណៈភង្គ—បែកបាក់ក្នុងមួយខណៈ? សម្រាប់មតិណា មានចិត្តសញ្ញា/ស្មារតីក្នុងសត្វលោកជាគោលការណ៍សារសំខាន់? ហើយសម្រាប់ប្រព័ន្ធណា ចំណេះដឹងមានពន្លឺដោយខ្លួនឯង (ស្វយំប្រកាស)?
Lord Agni (in discourse to the sage Vasiṣṭha, presenting comparative philosophical positions)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Samanya","practical_application":"Map doctrines to their hallmark theses (pramāṇa, kṣaṇabhaṅga, bhūta-caitanya, svaprakāśa-jñāna) to quickly identify schools during study, debate, or commentary.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"List","entry_title":"Doctrinal Markers: Tarka-jñāna, Kṣaṇabhaṅga, Bhūta-caitanya, Svaprakāśa","lookup_keywords":["tarka-jñāna","kṣaṇabhaṅga","bhūta-caitanya","svaprakāśa-jñāna","darśana"],"quick_summary":"The verse poses diagnostic questions that distinguish philosophical systems: which accept inference as knowledge, which teach momentariness, which posit consciousness as inherent in beings, and which hold knowledge to be self-luminous."}
Concept: Darśana-parīkṣā by thesis-markers: pramāṇa status of tarka/anumāna (Nyāya etc.), kṣaṇikatva (Bauddha), bhūta-caitanya (Cārvāka/Lokāyata), svaprakāśa-jñāna (often Yogācāra/Advaita-inflected epistemologies; also debated across schools).
Application: Create a comparative table of schools and tick which theses they accept; use it to interpret later arguments and avoid category-mistakes in debate.
Khanda Section: Darshana / Jnana-yoga (Philosophical Inquiry: Epistemology and Momentariness)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A sage presents four question-panels, each labeled with a doctrinal thesis, while students point to different school-emblems to match the thesis to the system.","kerala_mural_prompt":"Kerala mural, rishi in teaching posture, four framed panels with Sanskrit headings (tarka-jñāna, kṣaṇabhaṅga, bhūta-caitanya, svaprakāśa), students in attentive rows, temple-school ambience","tanjore_prompt":"Tanjore painting, central guru with gold halo-like arch, four gold-bordered tablets showing the theses, rich ornamentation, devotional-academic mood","mysore_prompt":"Mysore style, schematic instructional composition: a matrix chart of darśanas vs theses, guru pointing with stylus, clear legible labels and restrained palette","mughal_miniature_prompt":"Mughal miniature, philosophical classroom with illustrated marginalia—four cartouches containing the theses, scholars in discussion, refined calligraphy and architectural depth"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"contemplative"}
Sandhi Resolution Notes: tarkajñānaṃ → tarka-jñānam; kṣaṇabhaṅgikā, bhūtacaitanyatā are compounds; no major external sandhi.
Related Themes: Agni Purana 346 (Darśana/Jñāna-yoga survey questions)
This verse imparts darśana-vidyā (philosophical classification): it frames key epistemic and metaphysical theses—tarka as a pramāṇa (means of knowledge), kṣaṇabhaṅga (momentariness), bhūta-caitanya (sentience principle), and jñāna-svayaṃprakāśatā (self-luminosity of cognition)—as markers for distinguishing schools.
By listing diagnostic doctrines used in Indian philosophical debate, the Agni Purana functions as a compendium that catalogs not only rituals and dharma but also technical categories of logic and metaphysics—showing how to map competing systems through their signature claims.
It encourages viveka (discriminative understanding): by examining what a view asserts about knowledge and reality, a seeker avoids confusion and cultivates right understanding, which supports steadiness in sādhanā and more informed pursuit of liberation-oriented practice.