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Agni Purana — Kosha, Shloka 20

Chapter 366 — सामान्यनामलिङ्गानि

Common Noun-Forms and Their Grammatical Genders

प्रत्यग्रो ऽभिनवो नव्यो नवीनो नूतनो नवः एकतानो ऽनन्यवृत्तिरुच्चण्डमविलम्बितं

pratyagro 'bhinavo navyo navīno nūtano navaḥ ekatāno 'nanyavṛttiruccaṇḍamavilambitaṃ

ព្រះអង្គស្រស់ថ្មីជានិច្ច និងកើតឡើងថ្មី—ថ្មី ថ្មីជាង និងថ្មីបំផុត; តែងតែបានបន្តសារជាថ្មី។ ព្រះអង្គមានចិត្តតែមួយ មិនខូចខាត មិនរអាក់រអួលទៅផ្លូវផ្សេង; ខ្លាំងក្លាខ្លាច និងមិនពន្យាពេល (រហ័សក្នុងសកម្មភាព)។

प्रत्यग्रःfresh/new
प्रत्यग्रः:
Visheshana (विशेषण)
TypeAdjective
Rootप्रति + अग्र (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा एकवचन; तत्पुरुषः—‘प्रति अग्रः’ (fresh/newly arisen)
अभिनवःbrand-new
अभिनवः:
Visheshana (विशेषण)
TypeAdjective
Rootअभि + नव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा एकवचन; ‘अत्यन्तं नवः’
नव्यःnew
नव्यः:
Visheshana (विशेषण)
TypeAdjective
Rootनव्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा एकवचन
नवीनःnew/recent
नवीनः:
Visheshana (विशेषण)
TypeAdjective
Rootनवीन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा एकवचन
नूतनःnew
नूतनः:
Visheshana (विशेषण)
TypeAdjective
Rootनूतन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा एकवचन
नवःnew
नवः:
Visheshana (विशेषण)
TypeAdjective
Rootनव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा एकवचन
एकतानःuniform/continuous
एकतानः:
Visheshana (विशेषण)
TypeAdjective
Rootएक + तान (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा एकवचन; ‘एकरूप-तान’ (uniform/continuous)
अनन्य-वृत्तिःsingle-minded/with no other course
अनन्य-वृत्तिः:
Visheshana (विशेषण)
TypeAdjective
Rootअनन्य + वृत्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा एकवचन; बहुव्रीह्यर्थे विशेषणवत्—‘अन्या वृत्तिः यस्य न’ (having no other course)
उच्चण्डम्very fierce/intense
उच्चण्डम्:
Visheshana (विशेषण)
TypeAdjective
Rootउत् + चण्ड (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया एकवचन
अविलम्बितम्without delay
अविलम्बितम्:
Visheshana (विशेषण)
TypeAdjective
Rootअ-वि-लम्ब् (धातु) + इत (क्त)
Formभूतकृदन्त (क्त), नपुंसकलिङ्ग, प्रथमा/द्वितीया एकवचन; ‘विलम्बरहित’ (not delayed)

Lord Agni (narrating Purāṇic stotra/epithet material to the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Stotra","secondary_vidya":"Mantra","practical_application":"Use as epithets in sahasranama/stotra composition and japa—invoking the deity’s ever-fresh potency, single-pointedness, and swift, formidable action for protection and resolve.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Epithets of ever-newness and single-pointed, swift power","lookup_keywords":["pratyagra","abhinava","navya","ekatana","avilambita"],"quick_summary":"A cluster of names praises the deity as perpetually fresh/new and as single-minded, unwavering, intensely powerful, and swift to act. These epithets are suited for hymnody, meditation, and protective invocation."}

Alamkara Type: Paryayokti (synonymic piling) / Anuprasa (light sound-echo in nava-series)

Concept: Ekatāna (one-pointedness) and ananya-vṛtti (non-diversion) as devotional/meditative discipline; divine ‘newness’ as ever-renewed consciousness/energy.

Application: In japa/dhyana, contemplate the deity as ever-fresh presence; cultivate ekāgratā by adopting ‘single course’ intention in practice and action.

Khanda Section: Sahasranama / Stotra-lakshana (Names and epithets used in Purāṇic hymnody)

Primary Rasa: vira

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A radiant deity-form symbolizing perpetual freshness—lotus buds opening repeatedly—while a focused beam or single flame signifies ekatāna; the figure appears poised for swift action, suggesting ‘avilambita’ and ‘uccanda’.","kerala_mural_prompt":"Kerala mural, deity with luminous aura, lotus motifs in stages of blooming around, a single steady flame at center symbolizing one-pointedness, dynamic yet controlled posture, rich reds/greens with ornate borders","tanjore_prompt":"Tanjore painting, deity seated/standing with pronounced gold halo, layered lotus petals in gold embossing to show ‘ever-new’, strong symmetrical composition conveying unwavering intent, gold highlights emphasizing swift power","mysore_prompt":"Mysore style, refined facial serenity with alert eyes, a single vertical lamp-flame motif (ekatāna), subtle dynamic drapery indicating readiness and speed, clean instructional symbolism","mughal_miniature_prompt":"Mughal miniature, allegorical portrait with repeated fresh lotus blooms in the margin, a single straight path/beam leading to the figure (ananya-vṛtti), crisp detailing and restrained palette"}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"devotional"}

Sandhi Resolution Notes: प्रत्यग्रोऽभिनवो = प्रत्यग्रः + अभिनवः; एकतानोऽनन्यवृत्तिः = एकतानः + अनन्यवृत्तिः; अनन्यवृत्तिरुच्चण्डम् = अनन्यवृत्तिः + उच्चण्डम्.

Related Themes: Agni Purana stotra-lakshana and sahasranama-related passages; Agni Purana bhakti and mantra sections where divine epithets are prescribed for japa

A
Agni
T
The Devatā addressed by the epithets (Īśvara/Nārāyaṇa as the hymn’s referent)

FAQs

It provides stotra-vidyā: precise epithets for meditative recitation, highlighting the deity’s ever-renewed presence (navatva), one-pointed continuity (ekatāna), and swift, forceful efficacy (avilambita, uccaṇḍa).

By cataloging specialized theological vocabulary used in hymns and liturgy, it preserves a technical lexicon for mantra/stotra practice alongside the Purāṇa’s wider subjects (ritual, polity, medicine, arts).

Meditating on these names cultivates steadfast single-pointedness (ananya-vṛtti) and faith in immediate divine response (avilambita), traditionally held to purify the mind and strengthen devotion.