Agni Purana — Avatara-lila, Shloka 5
मत्स्यावतारवर्णनम्
The Description of the Matsya Incarnation
तस्याञ्जल्युदके मत्स्यः स्वल्प एको ऽभ्यपद्यत क्षेप्तुकामं जले प्राह न मां क्षिप नरोत्तम
tasyāñjalyudake matsyaḥ svalpa eko 'bhyapadyata kṣeptukāmaṃ jale prāha na māṃ kṣipa narottama
ក្នុងទឹកដែលគាត់កាន់ជាអញ្ជលី មានត្រីតូចមួយតែមួយ បានមកជិត។ ខណៈគាត់ចង់បោះវាចូលទឹកវិញ វាបាននិយាយថា៖ «ឱ បុរសប្រសើរ កុំបោះខ្ញុំចោល»។
The fish (Matsya—Vishnu in disguised form) addressing Manu
Vidya Category: {"primary_vidya":"Avatara-Katha","secondary_vidya":"Dharmashastra","practical_application":"Teaches compassionate protection of vulnerable life and attentive listening to the extraordinary; establishes the ethical and narrative trigger for Matsya’s safeguarding of dharma.","sutra_style":false}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Matsya Appears in Manu’s Añjali and Requests Protection","lookup_keywords":["Matsya avatara","Manu","anjali udaka","do not cast me","compassion"],"quick_summary":"A tiny fish appears in Manu’s cupped water and speaks, asking not to be thrown away. The episode models ahiṃsā and the king’s duty to protect the weak, foreshadowing divine revelation."}
Alamkara Type: Vākrokti (striking utterance) / Adbhuta-vṛtti
Concept: Rakṣaṇa-dharma: the श्रेष्ठ (best) protects the helpless; the divine may appear in humble forms to test compassion.
Application: Practice non-cruelty and protective responsibility in governance and daily life; treat small beings and marginal voices as worthy of care.
Khanda Section: Avataras & Purana-Itihasa (Matsya/Manu Narrative; Pralaya Prelude)
Primary Rasa: adbhuta
Secondary Rasa: karuna
Type: River
Visual Art Cues: {"scene_description":"Close scene: Manu’s cupped palms hold clear water; a tiny fish glints within, mouth open as if speaking; Manu’s face shows surprise and compassion.","kerala_mural_prompt":"Kerala mural close-up composition, stylized hands in añjali with a small fish, subtle golden aura around the fish, Manu’s large expressive eyes showing wonder, flat decorative water patterns.","tanjore_prompt":"Tanjore painting, ornate hands and jewelry, gold-leaf highlights on the fish and water droplets, Manu with halo, rich background with temple-like arch framing the intimate miracle.","mysore_prompt":"Mysore style, precise linework showing añjali mudra and the fish, gentle shading, didactic clarity, minimal background with river indicated softly.","mughal_miniature_prompt":"Mughal miniature, hyper-detailed hands and water reflections, tiny fish rendered naturalistically, Manu in profile with refined expression, delicate flora along riverbank."}
Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Khamaj","pace":"medium","voice_tone":"epic"}
Sandhi Resolution Notes: tasya añjali-udake → tasyāñjalyudake; ekaḥ abhyapadyata → eko 'bhyapadyata
Related Themes: Agni Purana Matsya avatara narrative continuation (fish growth and flood warning)
FAQs
It conveys the dharmic ethic of śaraṇāgata-rakṣaṇa—protecting one who seeks refuge—shown through Manu’s encounter with the helpless fish.
By embedding avatāra-itihāsa within the text, it links cosmology (pralaya motifs), ethics (dharma), and devotional theology (Vishnu’s protective presence) alongside the Purana’s many technical subjects.
Not harming and protecting a vulnerable being is presented as a righteous act that aligns one with dharma and invites divine grace, foreshadowing the saving guidance of the avatāra.