Agni Purana — Avatara-lila, Shloka 3
Śrīrāmāvatāra-varṇana
Description of the Incarnation of Sri Rama
नैकष्यां रावणो जज्ञे विंशद्बाहुर्दशाननः स्वर्गमार्गेण वै गत इति ख, चिह्नितपुस्तकपाठः तपसा ब्रह्मदत्तेन वरेण जितदैवतः
naikaṣyāṃ rāvaṇo jajñe viṃśadbāhurdaśānanaḥ svargamārgeṇa vai gata iti kha, cihnitapustakapāṭhaḥ tapasā brahmadattena vareṇa jitadaivataḥ
នៅក្នុងទីក្រុង នៃកសា (Naikaṣā) រាវណៈ បានកើតមក មានដៃម្ភៃ និងមុខដប់។ (អត្ថបទសៀវភៅដែលបានសម្គាល់មួយ បន្ថែមថា៖ «គាត់បានទៅតាមមាគ៌ាទៅសួគ៌»។) ដោយតបស្យា និងពរ ដែលព្រះព្រហ្ម (Brahmā) ប្រទាន គាត់បានក្លាយជាអ្នកឈ្នះទេវតា។
Lord Agni (narrating Purāṇic history in the Agni Purāṇa, traditionally to Vasiṣṭha)
Vidya Category: {"primary_vidya":"Avatara-Katha","secondary_vidya":"Cosmology","practical_application":"Genealogical and character-context framing for Ramayana figures; illustrates tapas (austerity) as a power-acquisition method and the limits/risks of boon-based invincibility in narrative ethics.","sutra_style":false}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Ravana’s birth in Naikaṣā and Brahmā’s boon through tapas","lookup_keywords":["Naikaṣā","Rāvaṇa","daśānana","viṃśadbāhu","Brahmā-vara"],"quick_summary":"Rāvaṇa is introduced with extraordinary bodily marks (ten heads, twenty arms) and as empowered by Brahmā’s boon gained through austerity, enabling conquest over the gods."}
Alamkara Type: Lakṣaṇā/Viśeṣaṇa (epithetic characterization)
Concept: Tapas can generate extraordinary siddhi/boons, but power gained without dharmic restraint becomes a cause of cosmic imbalance.
Application: Use the episode as an ethical caution: cultivate discipline (tapas) with right intention and accountability, not merely for domination.
Khanda Section: Itihasa–Purana (Ramayana-related genealogical narrative)
Primary Rasa: Raudra
Secondary Rasa: Adbhuta
Type: Kingdom
Visual Art Cues: {"scene_description":"Rāvaṇa’s birth/origin is evoked with his ten heads and twenty arms, alongside a visual suggestion of severe tapas leading to Brahmā granting a boon; gods appear subdued in the background to indicate ‘jita-daivata’.","kerala_mural_prompt":"Kerala temple mural style, deep earthy reds and greens; central figure Rāvaṇa with ten crowned heads and twenty arms, fierce eyes; to one side Brahmā seated on lotus granting a boon; faint devas in the background; bold outlines, ornamental jewelry, narrative panel composition.","tanjore_prompt":"Tanjore painting with gold leaf work; iconic Rāvaṇa (daśānana) richly ornamented, multiple arms holding symbolic weapons; Brahmā with halo bestowing a boon; heavy gilded borders, jewel-like embellishments, frontal hieratic poses.","mysore_prompt":"Mysore painting style, delicate lines and soft shading; sequential vignette: Rāvaṇa performing tapas (austerity posture) then receiving Brahmā’s boon; emphasis on clarity of narrative and facial expressions; restrained palette with fine ornamentation.","mughal_miniature_prompt":"Mughal miniature, detailed courtly landscape; Rāvaṇa with multiple heads/arms rendered with meticulous detail; Brahmā in a celestial pavilion; devas shown in smaller scale; fine textiles, architectural backdrop, crisp linework and naturalistic shading."}
Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Bhairav","pace":"medium","voice_tone":"epic"}
Sandhi Resolution Notes: विंशद्बाहुः = विंशत् + बाहुः; दशाननः = दश + आननः; स्वर्गमार्गेण = स्वर्ग + मार्गेण; ब्रह्मदत्तेन = ब्रह्म + दत्तेन; जितदैवतः = जित + दैवतः.
Related Themes: Agni Purana Ramayana-saṅkṣepa sections (genealogy and rākṣasa lineage context); Agni Purana narrative passages on boons and asura/rākṣasa rise
FAQs
It conveys the Purāṇic doctrine of tapas (austerity) as an effective means to obtain boons (vara) from Brahmā, resulting in extraordinary power and status.
Alongside ritual and technical sections, the Agni Purāṇa preserves Itihāsa-Purāṇa narratives and even records textual variants, functioning as a compendium of mythic history and manuscript tradition.
It underscores that intense austerity can yield powerful results; implicitly, it warns that spiritual power gained through tapas can be used for domination unless governed by dharma.