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Varaha Purana 16.3 — Adhyaya 16, Shloka 3

The Account of Saramā: Indra’s Restoration after Loss of Sovereignty

किं चकार च तस्मिंस्तु दुर्जये च निपातिते । परमेण्ठिना भगवता तेन योगविदुत्तमौ ॥ १६.३ ॥

kiṃ cakāra ca tasmiṃstu durjaye ca nipātite | parameṣṭhinā bhagavatā tena yogaviduttamau || 16.3 ||

その場で難攻不落の者が打ち倒されたとき、至上のヨーガ知を具えた福徳の主パラメーシュティンは、いったい何をなされたのか。

किम्what
किम्:
Karma (कर्म)
TypeNoun
Rootkim (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; interrogative pronoun
चकारdid
चकार:
Kriya (क्रिया)
TypeVerb
Rootकृ (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक निपात (conjunction)
तस्मिन्in that (situation/place)
तस्मिन्:
Adhikarana (अधिकरण)
TypeNoun
Roottad (प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन; demonstrative pronoun
तुindeed/but
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootतु (अव्यय)
Formविरोध/विशेषार्थक निपात (particle: but/indeed)
दुर्जयेin/with Durjaya
दुर्जये:
Adhikarana (अधिकरण)
TypeNoun
Rootdurjaya (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), एकवचन; proper name/epithet
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक निपात (conjunction)
निपातितेwhen (he) was struck down
निपातिते:
Adhikarana (अधिकरण)
TypeVerb
Rootनि-पत् (धातु)
Formकृदन्त; क्त (past passive participle), सप्तमी (7th/Locative), एकवचन, पुं/नपुंसक; ‘when/after (he) was felled’
परमेṣ्ठिनाby Parameṣṭhin (Brahmā)
परमेṣ्ठिना:
Karana (करण)
TypeNoun
Rootparameṣṭhin (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
भगवताby the Lord
भगवता:
Karana (करण)
TypeNoun
Rootbhagavat (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
तेनby him/thereby
तेन:
Karana (करण)
TypeNoun
Roottad (प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; demonstrative pronoun
योगविदुत्तमौthe two best knowers of yoga
योगविदुत्तमौ:
Karta (कर्ता)
TypeNoun
Rootyogavid + uttama (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), द्विवचन; समास: योगविद् (yoga-knower) + उत्तम (best) = ‘best among yoga-knowers’

Varāha (instructor; default framework—speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"key_question":"What action did Parameṣṭhin (the supremely accomplished yogin, likely Brahmā by epithet) take when the ‘formidable one’ had been struck down?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"narrative pedagogy / authority of yogic insight","core_concept":"Purāṇic instruction often proceeds by pointed inquiry: the ‘what did he do?’ invites attention to dharmic response guided by yogic accomplishment.","practical_application":"In ethical crises, ask the ‘next right action’ question and look to exemplars (yogavid-uttama) for models of response."}

Subject Matter: ["Cosmology","Mythic conflict motif","Dharma narrative framing"]

Primary Rasa: adbhuta

Secondary Rasa: vīra

Related Themes: Varāha Purāṇa 16.16.1-2 (setup: curse and descent)

Visual Art Cues: {"scene_description":"A narrator’s suspenseful tableau: the formidable figure has been felled; Parameṣṭhin, serene and yogically radiant, is poised to act as all await his decision.","item_prompts":["fallen formidable figure (silhouetted/implicit)","Parameṣṭhin seated or standing in calm authority","attendant sages/devas watching","aura indicating yogic accomplishment"],"kerala_mural_prompt":"Kerala mural style: Parameṣṭhin with composed expression and strong halo; surrounding figures in attentive poses; minimal action, maximum suspense.","tanjore_prompt":"Tanjore style: Parameṣṭhin central with gold aura; onlookers arranged symmetrically; subdued depiction of the ‘fallen’ element at the lower edge.","mysore_prompt":"Mysore style: refined court-like assembly; Parameṣṭhin’s calm gaze as focal point; gentle chiaroscuro.","pahari_prompt":"Pahari style: narrative pause in a scenic setting; Parameṣṭhin framed by landscape; onlookers lean in, anticipating the next act."}

Audio Atmosphere: {"recitation_mood":"inquiring, suspenseful","suggested_raga":"Kedar","pace":"medium (slight lift on kiṃ cakāra)","voice_tone":"interrogative emphasis, then composed"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It exemplifies a common Purāṇic narrative device: a concise question that bridges a combat episode and the subsequent doctrinal or cosmological action, aiding oral transmission and thematic continuity.

No specific toponym is present in this verse; it refers generally to “there/at that occasion” (tasmin), with location dependent on surrounding verses.

The verse does not issue a direct ethical injunction; it frames inquiry into the conduct of an exemplary, disciplined agent (yogaviduttama), implicitly valuing measured action and mastery after victory.

Ask anything about this verse

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