Varaha Purana 149.82: Adhyaya 149, Shloka 82
The Sacred Geography and Merit of Dvārakā
त्रयस्तत्रैव तिष्ठामो द्वारकायां यशस्विनि ॥ तस्मिन् क्षेत्रे महाभागे त्रयो मोदामहे वयम् ॥
trayas tatraiva tiṣṭhāmo dvārakāyāṃ yaśasvini || tasmin kṣetre mahābhāge trayo modāmahe vayam ||
我ら三者はまことにそこにとどまる—ドヴァーラカー（Dvārakā）にて、誉れ高き者よ。その聖なるクシェートラにおいて、幸いなる者よ、我ら三者は歓喜する。
Varāha (default dialogue framework)
Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Shares with Bhū-devī a sacred-geographic disclosure: ‘three of us’ abide and rejoice in/at Dvārakā and that kṣetra."}
Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious, seeking mapping of divine presences across sacred geography","key_question":"Who are ‘the three’ abiding there, and what is the significance of their shared presence in that kṣetra/Dvārakā?"}
Mathura Mandala: {"is_mathura_related":false,"specific_site":"Dvārakā (not Mathurā)","krishna_connection":"Strong: Dvārakā is Kṛṣṇa’s royal city; ‘three of us’ suggests a Vaiṣṇava triad of presences associated with Kṛṣṇa’s sacred geography (exact triad not specified in this verse)."}
Dharma Shastra: {"has_dharma_rule":false}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":false}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"theology of sacred presence","core_concept":"Tīrthas are animated by living divine presence(s), not merely commemorative sites; divine ‘rejoicing’ implies accessibility and grace.","practical_application":"Approach major kṣetras with relational devotion—seeing them as inhabited by the Lord’s presence and community of divinities."}
Subject Matter: ["Heritage Sites","Geography","Sacred Geography"]
Primary Rasa: adbhuta
Secondary Rasa: bhakti
Type: sacred city/kṣetra
Related Themes: Varāha Purāṇa 149.89 (Varāha’s abiding in kṣetra)
Visual Art Cues: {"scene_description":"Varāha points out Dvārakā as a radiant coastal sacred city, indicating that ‘three’ divine beings abide and rejoice there; Bhū-devī listens.","item_prompts":["Dvārakā cityscape (gates, palaces)","ocean backdrop","Varāha speaking","Bhū-devī addressed as ‘yaśasvinī’","three luminous presences (suggested silhouettes/auras)"],"kerala_mural_prompt":"Kerala mural: stylized Dvārakā with ocean waves, Varāha and Bhū-devī in foreground, three aureoled figures hinted in the shrine area, rich earthy tones.","tanjore_prompt":"Tanjore: gold-laden Dvārakā palace-temple, ocean as patterned blue, three halos prominent, Varāha central with ornate jewelry.","mysore_prompt":"Mysore: refined coastal architecture, subtle depiction of three divine auras, balanced composition with gentle devotional mood.","pahari_prompt":"Pahari: romantic coastal town with rolling sea, three figures on a terrace, Varāha narrating to Bhū-devī, delicate clouds."}
Audio Atmosphere: {"recitation_mood":"wonder-filled, celebratory","suggested_raga":"Vasantā","pace":"medium","voice_tone":"bright, narrative, lightly jubilant"}
FAQs
The mention of Dvārakā connects the chapter’s sacred geography to a major pan-Indic toponym, illustrating how Purāṇas interlink local kṣetras with widely recognized cultural landscapes.
Dvārakā is explicitly named; modern scholarship generally associates it with the Dvārakā region on the western coast of India (Gujarat), though textual Dvārakā can also function as a sanctified literary geography.
The verse primarily emphasizes sacred presence and communal rejoicing; ethical content is indirect, reinforcing the value of dwelling/remaining in a sanctified space with disciplined intent.
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