Narada Questions Pulastya: The Vamana Purana Begins and Satī’s Monsoon Lament
ममोपवीतं भुजगेश्वरः शुभे कर्णे ऽपि पद्मश्च तथैव पिङ्गलः केयूरमेकं मम कम्बलस्त्वहिर्द्वितीयमन्यो भुजगो धनञ्जयः
mamopavītaṃ bhujageśvaraḥ śubhe karṇe 'pi padmaśca tathaiva piṅgalaḥ keyūramekaṃ mama kambalastvahirdvitīyamanyo bhujago dhanañjayaḥ
「吉祥なる者よ、蛇の王こそ我がウパヴィータ(聖紐)である。耳にはパドマと、またピンガラを飾る。わが一つの臂輪は蛇カンバラ、第二の臂輪は別の蛇、名をダナンジャヤという。」
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The verse emphasizes the ascetic-divine ideal where worldly luxury is replaced by natural, fearsome, and symbolic ornaments—signifying mastery over fear, poison, and death, and the transmutation of danger into adornment.
Primarily ancillary narrative/description within Vamśānucarita/Ākhyāna-style sections rather than core Sarga/Pratisarga; it supports theological characterization (devatā-svarūpa-varṇana).
Serpents signify time (kāla), mortality, and latent power (kuṇḍalinī/tejas). Wearing them as upavīta and ornaments marks the deity as sovereign over these forces and as the one who integrates opposites—terror and beauty, poison and protection.