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Skanda Purana — Prabhasa Khanda, Shloka 8

देवगन्धर्वनृत्यैश्च वेणुवीणानिनादितम् । वेदध्वनितघोषेण यज्ञहोमाग्निहोत्रजैः

devagandharvanṛtyaiśca veṇuvīṇānināditam | vedadhvanitaghoṣeṇa yajñahomāgnihotrajaiḥ

そこは神々とガンダルヴァの舞によって、また笛とヴィーナーの音によって鳴り響いた。さらにヴェーダ誦唱の響きがこだまし、祭祀より生ずる作法—ホーマの供物と日々のアグニホートラ—によって満ちていた。

देवगन्धर्वनृत्यैःby the dances of gods and Gandharvas
देवगन्धर्वनृत्यैः:
Karana (Instrument/करण)
TypeNoun
Rootदेव (प्रातिपदिक) + गन्धर्व (प्रातिपदिक) + नृत्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/करण), बहुवचन; समासः—षष्ठी-तत्पुरुषः (देवानां गन्धर्वाणां नृत्यैः)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
वेणुवीणानिनादितम्resounded with flute and vīṇā sounds
वेणुवीणानिनादितम्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootवेणु (प्रातिपदिक) + वीणा (प्रातिपदिक) + नि√नद् (धातु) + क्त (कृदन्त)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; क्त-प्रत्ययान्त भूतकर्मणि कृदन्त (past passive participle) ‘निनादित’ = ‘resounded’; समासः—द्वन्द्वः (वेणु+वीणा)
वेदध्वनितघोषेणby the sound (clamor) made by Vedic recitation
वेदध्वनितघोषेण:
Karana (Instrument/करण)
TypeNoun
Rootवेद (प्रातिपदिक) + ध्वनित (कृदन्त) + घोष (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/करण), एकवचन; समासः—तत्पुरुषः (वेदेन ध्वनितः घोषः)
यज्ञहोमाग्निहोत्रजैःby those arising from sacrifice, oblations, and agnihotra rites
यज्ञहोमाग्निहोत्रजैः:
Karana (Instrument/करण)
TypeAdjective
Rootयज्ञ (प्रातिपदिक) + होम (प्रातिपदिक) + अग्निहोत्र (प्रातिपदिक) + ज (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd/करण), बहुवचन; ‘-ज’ = ‘उत्पन्न’ (born/produced); समासः—तत्पुरुषः (यज्ञ-होम-अग्निहोत्रेभ्यः जातैः)

Īśvara (Śiva)

Tirtha: Ṛṣitoyā-taṭa yajña-vāṭa (within Prabhāsa)

Type: ghat

Scene: A vibrant ritual festival: devas and gandharvas dancing above or around the yajña enclosure; musicians with veṇu and vīṇā; below, brāhmaṇas chanting; flames rising from homa-kuṇḍa.

D
Devas
G
Gandharvas
V
Veṇu (flute)
V
Vīṇā
V
Veda
Y
Yajña
H
Homa
A
Agnihotra
P
Prabhāsa-kṣetra

FAQs

When yajña and Vedic sound fill a tīrtha, the place becomes a divine theatre—where devotion, discipline, and cosmic harmony converge.

The sacrificial precinct in Prabhāsa-kṣetra (near Ṛṣitoyā), depicted as vibrating with Vedic and celestial celebration.

Homa and agnihotra are referenced as ongoing sacrificial rites accompanying the yajña setting.

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