Skanda Purana — Prabhasa Khanda, Shloka 20
Devanagari script
तस्मिन्स रमते देवः स्त्रीभिः परिवृतस्तदा । हारनूपुरकेयूररसनाद्यैर्विभूषणैः
Transliteration
tasminsa ramate devaḥ strībhiḥ parivṛtastadā | hāranūpurakeyūrarasanādyairvibhūṣaṇaiḥ
Translation
その地において主はその時、女たちに囲まれて戯れ給い、首飾り・足輪・腕輪・腰帯などの種々の飾りを身に帯びていた。
Word by Word
तस्मिन्in that (place)
तस्मिन्:
Adhikaraṇa (Location)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (अधिकरण), एकवचन; सर्वनाम
सःhe
सः:
Karta (Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; सर्वनाम
रमतेsports/enjoys
रमते:
Kriyā (Action)
TypeVerb
Rootरम् (धातु)
Formलट् (वर्तमान), प्रथमपुरुष, एकवचन; आत्मनेपद
देवःthe god
देवः:
Karta (Subject)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
स्त्रीभिःwith women
स्त्रीभिः:
Sahakāraka (Accompaniment)
TypeNoun
Rootस्त्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (सह/करण), बहुवचन
परिवृतःsurrounded
परिवृतः:
Karta (Predicate qualifier)
TypeAdjective
Rootपरि-वृत् (धातु) → परिवृत (कृदन्त, क्त)
Formपुंलिङ्ग, प्रथमा, एकवचन; क्त-प्रत्ययान्त: ‘surrounded’
तदाthen
तदा:
Kāla (Time)
TypeIndeclinable
Rootतदा (अव्यय)
Formअव्यय, कालवाचक (temporal adverb)
हारnecklaces
हार:
Viśeṣaṇa (Qualifier)
TypeNoun
Rootहार (प्रातिपदिक)
Formपुंलिङ्ग; समासपूर्वपद
नूपुरanklets
नूपुर:
Viśeṣaṇa (Qualifier)
TypeNoun
Rootनूपुर (प्रातिपदिक)
Formनपुंसकलिङ्ग/पुंलिङ्ग; समासपूर्वपद
केयूरarmlets
केयूर:
Viśeṣaṇa (Qualifier)
TypeNoun
Rootकेयूर (प्रातिपदिक)
Formनपुंसकलिङ्ग; समासपूर्वपद
रसनाgirdles
रसना:
Viśeṣaṇa (Qualifier)
TypeNoun
Rootरसना (प्रातिपदिक)
Formस्त्रीलिङ्ग; समासपूर्वपद
आद्यैःand other (ornaments)
आद्यैः:
Viśeṣaṇa (Qualifier)
TypeAdjective
Rootआदि (प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, तृतीया (करण), बहुवचन; ‘and others’ (in -ādi list)
विभूषणैःwith ornaments
विभूषणैः:
Karaṇa (Instrument)
TypeNoun
Rootविभूषण (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (करण), बहुवचन
Speaker
Sūta (Lomaharṣaṇa) narrating
Tirtha Mahatmya
Tirtha: Raivataka udyāna (contextual)
Type: kshetra
Visual Art Cues
Scene: Kṛṣṇa in the grove, encircled by women, all richly adorned; necklaces and armlets catch the light; anklets ring as they move; the garden’s blossoms frame the scene like a natural mandapa.
Characters & Entities
D
deva (the Lord)S
striyaḥ (women/attendants)FAQs
Māhātmya passages often use līlā (divine sport) to magnify the kṣetra’s auspiciousness and the Lord’s intimacy with the place.
Raivataka-udyāna in the Prabhāsa sacred region.
None; it is narrative description.