केचिल्लौकिकगीतानि हरिनामानि हर्षिताः । उत्सवैश्च व्रजंत्यन्ये पताकादिविभूषिताः
kecillaukikagītāni harināmāni harṣitāḥ | utsavaiśca vrajaṃtyanye patākādivibhūṣitāḥ
ある者は歓喜して、世の旋律にハリの御名をのせて歌い、またある者は旗幟などで荘厳し、祭礼の行列として進みゆく。
Sūta (deduced from section context)
Tirtha: Dvārakā
Type: kshetra
Scene: A jubilant pilgrim group advances with flags and streamers; singers lead with drums and cymbals, weaving Hari’s names into familiar folk tunes.
Even ordinary music becomes sacred when it bears Hari’s names, and communal festivals become vehicles of shared devotion.
Dvārakā is the implied festival-city where processions and public singing magnify the Māhātmya of the place.
Utsava (festival observance) and nāma-saṅkīrtana (singing the divine names), including in public procession.