अजापालेन भूपेन तत्सर्वं विफलीकृतम् । तपःशक्त्या सुरश्रेष्ठ देवीमाराध्य चंडिकाम्
ajāpālena bhūpena tatsarvaṃ viphalīkṛtam | tapaḥśaktyā suraśreṣṭha devīmārādhya caṃḍikām
ああ神々の最勝よ、それら一切はアジャーパラ王によって無に帰した。彼は苦行の力により女神チャンディカーを礼拝し、歓喜せしめたのだ。
Yama (inferred from immediate narrative flow: Yama reporting to Brahmā; direct address 'suraśreṣṭha' fits a superior deity like Brahmā)
Type: kshetra
Scene: King Ajāpāla in severe austerity before fierce Caṇḍikā—lion-associated, weapons and skull-garland iconography implied—radiant śakti emanating; in the distance, Yama’s staff and noose rendered powerless.
Intense tapas and sincere Devī-upāsanā can transform worldly conditions and even disrupt established cosmic administration.
This is within Nāgarakhaṇḍa’s Tīrthamāhātmya (Adhyāya 95); the verse highlights a devotee-king and Caṇḍikā worship, but does not name the tīrtha.
Devī ārādhana (propitiation/worship) supported by tapas (austerity) is indicated as the efficacious practice.
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