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Skanda Purana — Nagara Khanda, Shloka 7

Devanagari script

ततो विभीषणो दृष्ट्वा प्रोद्द्योतं पुष्पकोद्भवम् । रामं विज्ञाय संप्राप्तं प्रहृष्टः सम्मुखो ययौ । मंत्रिभिः सकलैः सार्धं तथा भृत्यैः सुतैरपि

Transliteration

tato vibhīṣaṇo dṛṣṭvā proddyotaṃ puṣpakodbhavam | rāmaṃ vijñāya saṃprāptaṃ prahṛṣṭaḥ sammukho yayau | maṃtribhiḥ sakalaiḥ sārdhaṃ tathā bhṛtyaiḥ sutairapi

Translation

そのときヴィビーシャナは、プシュパカから放たれる赫々たる光を見てラーマの到来を悟り、歓喜して迎えに出た――すべての大臣と共に、また従者や息子たちをも伴って。

Word by Word
ततःthen
ततः:
Sambandha (Connector)
TypeIndeclinable
Rootततः (अव्यय)
Formअनुक्रम-अव्यय — ‘then’
विभीषणःVibhīṣaṇa
विभीषणः:
Karta (Subject/कर्ता)
TypeNoun
Rootविभीषण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन — Masculine, Nominative, Singular
दृष्ट्वाhaving seen
दृष्ट्वा:
Anukāla (Prior action)
TypeVerb
Rootदृश् (धातु) → दृष्ट्वा (कृदन्त)
Formक्त्वान्त-अव्यय — Gerund (absolutive) ‘having seen’
प्रोद्द्योतम्the brilliant radiance
प्रोद्द्योतम्:
Karma (Object/कर्म)
TypeNoun
Rootप्र-उद्-द्युत् (धातु) → प्रोद्द्योत (प्रातिपदिक/कृदन्त-भाव)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन — Masculine, Accusative, Singular
पुष्पकोद्भवम्arising from the Puṣpaka
पुष्पकोद्भवम्:
Visheshana (Qualifier)
TypeAdjective
Rootपुष्पक (प्रातिपदिक) + उद्भव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन — Masculine, Accusative, Singular; समासः—षष्ठी-तत्पुरुष (पुष्पकस्य उद्भवः)
रामम्Rāma
रामम्:
Karma (Object/कर्म)
TypeNoun
Rootराम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन — Masculine, Accusative, Singular
विज्ञायhaving recognized
विज्ञाय:
Anukāla (Prior action)
TypeVerb
Rootवि-ज्ञा (धातु) → विज्ञाय (कृदन्त)
Formक्त्वान्त-अव्यय — Gerund ‘having recognized/known’
संप्राप्तम्arrived
संप्राप्तम्:
Visheshana (Qualifier of object)
TypeVerb
Rootसम्-प्र-आप् (धातु) → संप्राप्त (कृदन्त)
Formभूतकालिक-कृदन्त (क्त), पुंलिङ्ग, द्वितीया-विभक्ति, एकवचन — Past participle, Masculine, Accusative, Singular; रामम् इति कर्मणि विशेषणम्
प्रहृष्टःdelighted
प्रहृष्टः:
Karta (Subject attribute)
TypeAdjective
Rootप्र-हृष् (धातु) → प्रहृष्ट (कृदन्त)
Formभूतकालिक-कृदन्त (क्त), पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन — Past participle used adjectivally, Masculine, Nominative, Singular
सम्मुखःfacing (him)/in front
सम्मुखः:
Karta (Subject attribute)
TypeAdjective
Rootसम्मुख (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन — Masculine, Nominative, Singular
ययौwent
ययौ:
Kriya (Action/क्रिया)
TypeVerb
Rootया (धातु)
Formलिट्-लकार (परोक्ष-भूत/परिपूर्ण), प्रथम-पुरुष, एकवचन — Perfect, 3rd person, Singular
मन्त्रिभिःwith ministers
मन्त्रिभिः:
Sahakāraka (Association/सह)
TypeNoun
Rootमन्त्रिन् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (सह), बहुवचन — Masculine, Instrumental, Plural
सकलैःall
सकलैः:
Visheshana (Qualifier)
TypeAdjective
Rootसकल (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन — Masculine, Instrumental, Plural; विशेषणं मन्त्रिभिः
सार्धम्together with
सार्धम्:
Sahakāraka (Association/सह)
TypeIndeclinable
Rootसार्धम् (अव्यय)
Formसह-अर्थक-अव्यय — ‘together with’
तथाalso
तथा:
Sambandha (Connector)
TypeIndeclinable
Rootतथा (अव्यय)
Formसमुच्चय-अव्यय — ‘also/likewise’
भृत्यैःwith servants
भृत्यैः:
Sahakāraka (Association/सह)
TypeNoun
Rootभृत्य (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (सह), बहुवचन — Masculine, Instrumental, Plural
सुतैःwith sons
सुतैः:
Sahakāraka (Association/सह)
TypeNoun
Rootसुत (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (सह), बहुवचन — Masculine, Instrumental, Plural
अपिalso
अपि:
Sambandha (Addition)
TypeIndeclinable
Rootअपि (अव्यय)
Formसमुच्चय-अव्यय — particle ‘also’
Speaker

Narrator (implied Purāṇic narrator; not explicitly named in this verse)

Tirtha Mahatmya

Tirtha: Laṅkā (Rāma-satkāra-sthala, implied)

Type: kshetra

Visual Art Cues

Scene: Vibhīṣaṇa sees the blazing radiance of Puṣpaka, recognizes Rāma’s arrival, and advances joyfully with ministers, attendants, and sons to welcome him.

Characters & Entities
V
Vibhīṣaṇa
R
Rāma
P
Puṣpaka Vimāna
M
Ministers
A
Attendants
S
Sons

FAQs

True devotion expresses itself through joyful service and respectful reception of the righteous.

Laṅkā’s setting is foregrounded as a stage where devotion and dharma are enacted, preparing the ground for tīrtha-oriented praise.

None is stated; the emphasis is on dharmic hospitality and reverence.

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