न त्वं स्त्री पुरुषो विद्वाञ्जानीह्यात्मानमात्मना । अयं स्वयंकृतोऽनर्थ आवाभ्यां यद्विचेष्टितम्
na tvaṃ strī puruṣo vidvāñjānīhyātmānamātmanā | ayaṃ svayaṃkṛto'nartha āvābhyāṃ yadviceṣṭitam
汝はまことに女でも男でもない、賢者よ――自己によって自己(アートマン)を悟れ。この災いは自ら招いたもので、我ら二人の所業より生じた。
Sumedhā
Scene: A sober dialogue scene: a learned person being instructed to abandon gender/body-identification and recognize the Self; the atmosphere is introspective, with minimal external action—two figures seated, one admonishing with calm authority.
True identity is the Ātman beyond bodily labels, and suffering is often the fruit of one’s own actions—hence one must return to viveka.
No tīrtha is mentioned.
None; it emphasizes self-knowledge and moral accountability.