शब्दब्रह्मतनुवर्णनम् — Description of the Form of Śabda-Brahman
चतुर्विंशतिवर्णाढ्यं चतुष्कालमनुत्तमम् । अथ पंचसितं मंत्रं कलाष्टक समायुतम्
caturviṃśativarṇāḍhyaṃ catuṣkālamanuttamam | atha paṃcasitaṃ maṃtraṃ kalāṣṭaka samāyutam
それは二十四音節を具え、比類なきものとして四つの聖なる時に用いられる。次いで、五百(音・字)より成るマントラがあり、八つのカラー(神的相・力)と結び合わされている。
Suta Goswami
Tattva Level: pasha
Shiva Form: Īśāna
Role: teaching
The verse classifies Shiva-mantras by their inner structure (syllable-count and kalā-connection), indicating that mantra is not mere sound but a śakti-bearing form of Śiva’s grace that ripens the soul toward liberation.
By describing mantras as endowed with kalās, the text points to Saguna Śiva worship where the Linga is approached through mantra-japa—sound (mantra) and form (Liṅga) functioning together as accessible supports for devotion and realization.
It suggests disciplined mantra-japa performed in the four sacred daily periods (such as dawn, midday, dusk, and night), with attention to the mantra’s prescribed form—supporting Shaiva practice alongside observances like bhasma (tripuṇḍra) and rudrākṣa when taught in context.