सतीचरिते पितृगृहे आशीर्वाद-वचनम् तथा यौवनारम्भः — Satī at her father’s house: blessings and the onset of youth
सावित्रीसहितश्चाहं सह लक्ष्म्या मुदान्वितः । वासुदेवोपि भगवाञ्जगामाथ हरांतिकम्
sāvitrīsahitaścāhaṃ saha lakṣmyā mudānvitaḥ | vāsudevopi bhagavāñjagāmātha harāṃtikam
また私も、サーヴィトリーを伴い、ラクシュミーとともに喜びに満ちて、ハラ尊の御前へ赴いた。さらに福徳なるヴァースデーヴァもまた、シヴァの御住処へと進んだ。
Brahma (narrating within the Sati Khanda context)
Tattva Level: pati
Shiva Form: Sadāśiva
Shakti Form: Pārvatī
Role: nurturing
It highlights that even the highest deities approach Lord Hara with reverence, affirming Śiva as the supreme refuge (Pati) whom all seek for grace, harmony, and auspiciousness.
By depicting the gods going to Hara’s presence, it supports Saguna worship—approaching Śiva in a worshipable, accessible form (such as the Liṅga) for darśana, prayer, and receiving Śiva’s anugraha (grace).
The takeaway is to ‘go to Hara’ through upāsanā: visit a Śiva temple or Liṅga, offer bilva leaves and water, apply tripuṇḍra (bhasma), and repeat the Pañcākṣarī mantra “Om Namaḥ Śivāya” with devotion.