अनरण्य-वंशवर्णनम् तथा पिप्पलादस्य कामोत्पत्तिः
Genealogy of King Anaraṇya and Pippalāda’s arousal of desire
कामात्सर्वं गृहीत्वा च ययाचे कन्यकां मुनिः । मौनी बभूव नृपतिः किञ्चिनिर्वक्तुमक्षमः
kāmātsarvaṃ gṛhītvā ca yayāce kanyakāṃ muniḥ | maunī babhūva nṛpatiḥ kiñcinirvaktumakṣamaḥ
そのとき牟尼は—欲に動かされて—すべてを受け取り、乙女を求めた。だが王は沈黙し、何ひとつ言葉を発することができなかった。
Suta Goswami
Tattva Level: pasha
Shiva Form: Bhairava
It highlights how kāma (desire) can cloud judgment and create moral conflict, while the king’s mauna (silence) reflects inner turmoil—pointing toward the Shaiva ideal of mastering desire through dharma and devotion to Pati (Shiva), the liberating Lord.
The narrative contrasts human impulse with the need for restraint; in Linga/Saguna Shiva worship, the devotee offers impulses and attachments into Shiva’s presence, seeking purification of kāma and steadiness of mind through bhakti and disciplined conduct.
Mauna (vow of silence) and japa of the Panchakshara—“Om Namah Shivaya”—are implied as practical disciplines to calm desire and regain clarity; observances like Mahashivratri vrata can reinforce this inner restraint.