गङ्गातरणम्, सुमन्त्र-प्रतिनिवर्तनम्, जटाधारणम्
Crossing the Gaṅgā; Sumantra’s Return; Adoption of Ascetic Signs
Spoken by Rama to LakṣmaṇaSetting: Banks of the Jāhnavī (Gaṅgā) near forested tract outside AyodhyāPlaces named: Jāhnavī (Gaṅgā), Sāgara (ocean)Early stage of exile; preparing to cross into deeper forest routes
बर्हिणानां च निर्घोषः श्रूयते नदतां वने ।
तराम जाह्नवीं सौम्य शीघ्रगां सागरङ्गमाम् ॥३॥
barhiṇānāṃ ca nirghoṣaḥ śrūyate nadatāṃ vane |
tarāma jāhnavīṃ saumya śīghragāṃ sāgaraṅgamām ||3||
森には孔雀の鳴き声が響く。やさしき友よ、海へと急ぎ流れるジャーナヴィー(ガンガー)を渡ろう。
Listen to the screams of the peacocks in the forest. The Ganga is flowing fast to merge in the sea. We need to cross it.
Nature and sacred geography accompany dharmic journeys; crossing thresholds is undertaken with composure and purpose.
Mindful travel as sādhana; remembrance of tīrthas; cultivating wonder without attachment.
Crossing a river as moving from one āśrama/role to another; flow toward the ocean as jīva’s movement toward the vast (brahman) when guided by dharma.
River-to-ocean imagery reminiscent of merging metaphors (e.g., rivers entering the sea in Chāndogya 6.10/6.11 as a common Indian philosophical trope).
Vālmīki Rāmāyaṇa 2.52 (departure scenes and route details); Vālmīki Rāmāyaṇa 2.55-2.56 (Gaṅgā crossing and onward movement, thematic continuity)
Chāndogya Upaniṣad 6.10-6.11 (river-ocean merging metaphor; thematic echo)
Ayodhyākāṇḍa travel narrative: movement from city to forest via sacred waterways
Anuṣṭup (śloka)
Narrative
Light madhyama with gentle rise on ‘tarāma jāhnavīm’
Dharma is shown as forward-moving commitment to the exile path—continuing the journey without turning back.
On the forest route, Rāma points out natural sounds and urges crossing the Gaṅgā as part of their progress.
Resolve and leadership in hardship—guiding companions calmly through the journey.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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