Shloka 23
The Sumanā Episode: Suvrata’s Childhood Devotion and All-Activity Remembrance of Hari
संपूर्णमेवममृतस्यकलानिधानं तं गीतकौशलमनन्यरसैः प्रगाये । युक्तं स्वयोगकरणैः परमार्थदृष्टिं विश्वं स पश्यति चराचरमेव नित्यम्
saṃpūrṇamevamamṛtasyakalānidhānaṃ taṃ gītakauśalamananyarasaiḥ pragāye | yuktaṃ svayogakaraṇaiḥ paramārthadṛṣṭiṃ viśvaṃ sa paśyati carācarameva nityam
かくして、他に心を分けぬ一味の歓喜をもって彼を歌い讃えるべきである。彼は不死の精髄という甘露の完全なる宝蔵、聖なる歌の妙技そのもの。自らのヨーガの修行に結ばれ、最高真理の眼を得た者は、動くものも動かぬものも含む全宇宙を、常にありのままに観ずる。
Unspecified (context-dependent within Bhūmi-khaṇḍa narration)
Concept: Single-flavored devotion (ananya-rasa) expressed as sacred song, joined with one’s yogic disciplines, yields paramārtha-dṛṣṭi—seeing the moving and unmoving universe in truth.
Application: Choose one steady devotional practice (kīrtana/japa), support it with simple yogic discipline (regularity, restraint, attention), and train perception to see life as pervaded by the Lord’s order and presence.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A seated sādhaka sings with unwavering focus, each note visualized as a stream of luminous nectar rising like mist and forming a mandala around him. As his inner vision opens, the entire landscape—trees, animals, people, and distant mountains—appears as a single living tapestry of the Lord’s presence, the carācara world shimmering in unified truth.","primary_figures":["devotee-sādhaka","Viṣṇu (subtle, all-pervading presence)","carācara beings (birds, deer, villagers)"],"setting":"riverbank or forest-edge hermitage with a simple seat, prayer beads, and open sky; the world itself becomes the ‘scene’","lighting_mood":"golden dawn","color_palette":["honey gold","sky blue","leaf green","pearl white","amethyst violet"],"tanjore_prompt":"Tanjore painting style: central devotee singing kīrtana with a gold-leaf aura, nectar-like luminous swirls forming a halo-mandala, subtle Viṣṇu symbols (śaṅkha-cakra) embedded in the radiance, surrounding carācara world rendered as ornate panels, rich reds/greens, gem-like highlights on the aura.","pahari_prompt":"Pahari miniature style: meditative singer in a quiet natural landscape, delicate lines showing birds and deer listening, soft dawn gradients, refined facial serenity, distant hills and a winding stream, the universe subtly unified by a translucent wash of light.","kerala_mural_prompt":"Kerala mural style: bold outlines of the sādhaka with stylized sound-waves as patterned bands, carācara forms arranged in concentric registers, natural pigments with strong reds/yellows/greens, large calm eyes, symbolic Viṣṇu emblems floating in the background.","pichwai_prompt":"Pichwai cloth painting style: central kīrtana figure framed by lotus and vine borders, the carācara world arranged symmetrically like a devotional cosmos-map, deep blues and gold, intricate floral filigree, subtle śaṅkha-cakra motifs repeating like rhythmic beats."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft hand cymbals","flowing water","birds at dawn","long pauses of silence"]}
Sandhi Resolution Notes: संपूर्णमेवममृतस्यकलानिधानं = संपूर्णम् + एवम् + अमृतस्य + कलानिधानम्; अनन्यरसैः (समास); चराचरमेव = चराचरम् + एव
FAQs
It recommends single-minded devotional praise (gāna/stuti) of the divine, supported by one’s yogic disciplines, leading to higher spiritual vision (paramārtha-dṛṣṭi).
It refers to perceiving all existence—living beings (moving) and inanimate reality (non-moving)—as a unified truth, seen steadily through realized insight.
It presents devotional singing as the heartfelt focus (“ananya-rasa”) and yoga as the stabilizing method (“sva-yoga-karaṇaiḥ”); together they culminate in clear perception of ultimate reality.