The Greatness of Puruṣottama
Aṣṭākṣarī Maṇḍala-Pūjā and Nyāsa
आयांतु देवा वरदा मम नारायणाग्रतः । सुमेरुः पादपीठं ते पद्मकल्पितमासनम् ॥ २७ ॥
āyāṃtu devā varadā mama nārāyaṇāgrataḥ | sumeruḥ pādapīṭhaṃ te padmakalpitamāsanam || 27 ||
願いを授ける神々よ、わが主ナーラーヤナの御前に来たれ。スメール山を御足台とし、蓮華を設けて御座(あーさな)とならしめよ。
Narada (invocatory prayer within the narrative frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It portrays proper devotional orientation: all divine powers (devas) are invited in the presence of Nārāyaṇa, affirming His supremacy and making worship an act centered on Vishnu rather than on secondary deities.
Bhakti is expressed through reverent invitation and offering—preparing an āsana (seat) and pādapīṭha (footstool) for the Lord—showing loving hospitality (upacāra) as a concrete form of devotion.
It reflects Kalpa/ritual procedure (upacāras in pūjā): inviting deities (āvāhana) and offering seat and foot-rest (āsana, pādya-related honor), which are standard liturgical steps in Vaiṣṇava worship.