Kāruṇya-stotra Phalaśruti; Dream-Darśana of Vāsudeva; Manifestation and Pratiṣṭhā of Jagannātha, Balabhadra (Ananta), and Subhadrā
क्रीडाविशेषबहुलैर्नृत्यगीतमनोहरैः । चामरैः स्वर्णदंडैश्च व्यजनै रत्नभूषणैः ॥ १०६ ॥
krīḍāviśeṣabahulairnṛtyagītamanoharaiḥ | cāmaraiḥ svarṇadaṃḍaiśca vyajanai ratnabhūṣaṇaiḥ || 106 ||
さまざまな妙なる遊興—心を奪う舞と歌—に加え、金の柄を備えたチャーマラ(ヤクの尾の払子)や、扇、宝玉をちりばめた装身具が供えられる。
Narada (narration within a tirtha-mahatmya description)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shringara
It highlights the traditional upacāras (honorific offerings) and devotional service expressed through music, dance, and auspicious royal emblems—showing that reverence can be offered through refined, beautiful seva.
Bhakti here is conveyed as attentive service: pleasing the Lord (or the sacred realm described in the mahatmya) with mind-delighting offerings—song, dance, fanning with cāmara and vyajana, and respectful adornment—performed with devotion rather than mere display.
Ritual practice is implied through the idea of upacāra-seva (items like cāmara, fans, ornaments used in pūjā). While not technical Vedāṅga instruction, it reflects applied kalpa-style ritual decorum in worship and temple service.