Śikṣā-nirūpaṇa (Exposition of Discipline): Son’s Marriage, Paternal Duty, and Royal Administration
यथा रमन्ते ते तुष्टाः सुखं पुत्राः सुमानिताः । तच्छ्रुत्वा वचनं राज्ञो द्विजस्तस्य पुरोहितः ॥ १५ ॥
yathā ramante te tuṣṭāḥ sukhaṃ putrāḥ sumānitāḥ | tacchrutvā vacanaṃ rājño dvijastasya purohitaḥ || 15 ||
「あの息子たちが—満ち足り、幸せで、よく敬われ—安らかな喜びに遊ぶように」と。王の言葉を聞いて、その王の王室祭官(プurohita)であるバラモンは……
Narrator (Purāṇic narration continuing the story; specific speaker not explicit in this single verse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It highlights a dharmic social ideal: harmony and joy arise when people are properly honoured and cared for; in the same way, a king’s righteous words prompt the Brahmin purohita to respond in a way that supports dharma.
Direct bhakti is not stated here; the verse functions as narrative glue showing respectful, dharmic relationships (king and priest). In the Narada Purana, such dharmic order is the supportive ground on which vrata, pūjā, and devotion to Vishnu are properly performed.
It implicitly points to the purohita’s applied Vedāṅga expertise—especially Vyākaraṇa (correct mantra wording), Śikṣā (pronunciation), and Jyotiṣa (timing)—since the royal priest typically advises the king on rites, auspicious times, and correct ritual procedure.