Narada Purana — Purva Bhaga, Shloka 67
चतस्रो विन्यसेन्मंत्री पुरुषस्य कलाः क्रमात् । आद्या तत्पुरुषायेति विद्महे शांतिरीरिता ॥ ६७ ॥
catasro vinyasenmaṃtrī puruṣasya kalāḥ kramāt | ādyā tatpuruṣāyeti vidmahe śāṃtirīritā || 67 ||
真言に通じた行者は、プルシャ（Puruṣa）の四つのカラー（kalā）を順次に安置（nyāsa）すべし。第一は「tatpuruṣāya iti vidmahe」と誦し、これがシャーンティ（śānti）—鎮静・安寧—の句であると宣言される。
Sanatkumara (teaching Narada in a technical/ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It frames mantra-nyāsa as an ordered internalization of the Supreme Puruṣa’s powers (kalās), beginning with a śānti-formula that stabilizes and pacifies the practitioner before further ritual placements.
By directing the practitioner to “place” the Puruṣa’s aspects through mantra, it turns worship into embodied remembrance—devotion expressed as disciplined, reverent mantra-practice centered on the Supreme Person.
It highlights applied ritual procedure (nyāsa and śānti-prayoga): the rule of performing placements sequentially (kramāt) and using a specific pacificatory mantra-phrase as the first step.